ARCHETYPE | 元素的世界

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居住场所是一个生命体在其他生命体上的凭证，比如石头由地质变迁所形成，腐蚀是时间作用在事物上的证据。关于这个场所，我希望你们能用不同的角度来看待，因为在这里发生的事情，是由人类主导的场合。

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This is evidence of a living body on other bodies, rocks that have been the subject of geological formation, erosion, the action of time on objects. This is a place, in a way, that I just would like you to, in a way, look at differently because of this event that has happened in it, a human event. 

模型图 ©ARCHETYPE

总之，它只是要我们来重新审视这个世界，与我们正在共同生活的科技世界是如此的不同。重新审视这个由元素所组成的世界。原本黑暗的生命体都是作为参观者，生活在这个由元素所组成的世界里，我想站在空间的外部，重新观察这个我们每个人都熟悉，亲切且主观的环境。

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And in general, it just asks us to look again at this world, so different from, in a way, the world that we have been sharing with each other, the technological world, to look again at the elemental world. The elemental world that we all live in is the space that we all visited together, the darkness of the body. I wanted to start again with that environment, the environment of the intimate, subjective space that each of us lives in, but from the other side of appearance.

我有一个偏见，要判断一个空间的美学功底，往往要看他对省略、留白和停顿的处理。就像在电影里，每一次被打动，都发生在导演对停顿的处理中。我们似乎总是把超越语言、无法言说的情感，交给了时间的暂停。

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I have a prejudice, to evaluate the aesthetic foundation of a space, we often have to look at its handling of ellipsis, blank space and pause. Just like in movies,every touching moment happens in the handing of a pause by the director. Our indescribable and beyond-language emotions to pause of time.

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Why is the primary state of design always easy to fall into the so-called "self-satisfaction"? The reason lies in "mistaken belief that space is a single self-expression". In fact, when we throw space to the occupants, it is to cause a reaction. And this kind of reaction can only happen in the round trip of the communication channel between the occupants and the space.

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If our design serves as a slide show flashing in front of audiences, it ends up nothing but a simple stimulation of the retina. Therefore, in this case, the pause seems to suggest that "don't watch the following yet" and "think about it". Why pause? Mostly designers regarded the pause as the most beautiful component of rhythm? That's because every pause is not only the convergence of the past, but also the omen of the next moment; It is not only the "result" of the previous series of feelings, but also the "reason" to be perceived later.

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“Pause” is not a silence, a blank, or the lost mood, but the most complicated emotion in inner life. There are often over-interpretations in design. We really hope that we can learn to pause, because no matter how well the design is accomplished, it can't compare with the participation of the residents' own imagination and the sentimental drama.

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Every time, we wait for the weekend, and for a festival where we can go to a distant place, so that we can pause in life in order to get a break. When we design a residence, we are always anxious about the impatience of others and dare not pause. Our inner voice is always telling ourselves, "Don't stop", "No pause or being nothing".

当我们在创作中，敢于构建停顿，那是因为我们相信前面的内容已经建立起了期待，这是停顿得以成立的前提。人们在面对纯粹的虚空，是无法引起任何联想的。只有在时间的张力之下，停顿、省略和留白才有意义。我们在生活中停顿，是为了抓住生命推着我们踉跄向前的命运之手，把世界归还给我们。而我们在设计中的停顿，是为了少说一点、后退一步，把时间的掌控权还给居住者。

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In the process of creation, we are brave to construct pause, because we believe that the previous content has already established expectations, which is the premise for the pause to be established. It’s hard for people to cause any association in the face of pure vanity. Only under the tension of time, pause, omission and blank space are meaningful. We pause in life in order to seize the hand of fate that life is pushing us to stumble forward and return the world to us. Similarly, the pause in our design is to say less, take a step back and return the control of time to the occupants.

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Beauty is not an instant light, but a quiet afterglow. When we can find the figure of beauty in a pause, we touch eternity in an instant.

项目名称 | LUXELAKES 麓湖

项目地址 | 中国，成都

完成时间 | 2022.06

空间设计 | ARCHETYPE 元太设计

设计主创 | Louis 廖晋南

设计团队 | KK康楚云、Zoey郑颖、Sookie马文骁、Lulu余佳露

项目面积 | 234m² + 150m²（garden）

摄      影 | 形在空间摄影 Here Space | 贺川

ARCHETYPE

元太设计首席执行官&创始人，专注于前瞻性商业的空间设计。主张结合定位、运营、品牌、知觉、艺术、空间与体验，在建筑设计与室内设计中，探索更好的简单。

NOTHING DESIGN | 黑色中古风公寓