本项目位于中国扬州，是纸水设计的首个实地工作室。在设计之初，两位创始人意欲打造一个自然、感性、自在的工作空间。
This project is located in Yangzhou, China, which is the first field studio of Paper Water Design. As the design started, the two founders intended to create a workspace for nature, emotion and comfort.
ONE.
随性自由的创意空间
Space for Free Creation
工作室坐落于建筑的二层，入口处的logo以及体块穿插的几何形体造型定义了空间的功能属性。The studio is on the second floor of the building. The logo at the entrance and the geometric shape interspersed with blocks define the functional attributes of the space.设计师将入口退离建筑主动线，同时在室内让渡出宽阔的门厅空间，看似是空间的浪费，但合度的浪费为空间塑造了延展性和流通性。Designers remove the entrance from the active line of the building and releases a wide lobby indoors at the same time, which seems to waste space. However, the reasonable waste helps the space show the ductility and circulation.
白色墙体与通透的组合装置亦虚亦实，分割了空间，与后方的办公区域互为前后景，指引体验者往纵深去。
The white wall and transparent combination device separate the space, which interact with the rear office area as the front and back scenes respectively, guiding the audience to go in depth.
综合办公区由一张3.8米长的大桌为中心构成，简洁利落，无分割无遮挡，方便随时可以开启的一场头脑风暴。The comprehensive office area is composed of a large table with 3.8m length as the center, which is simple and neat. With no segmentation and shelter, it is convenient to start a brainstorming at any time.综合办公区东侧是开放的会客区，会客区按照家居生活中常见的客厅排布方式布置，希望为客人消弭公共空间所带来的陌生压迫，感到怡然与舒适。The east side of the comprehensive office area is an open reception area, where there is some furniture based on the common living room layout in home life. It is expected to eliminate the strange oppression brought by public space for guests, so as to make them happy and comfortable.
空间两侧为两位主创的独立办公室，保障创作时所需要的私密、安静的氛围。两间办公室同时承载了办公、私人会客、小样展示等功能，同时也为设计师未来个人风格化预留出充裕的空间。On both sides of the space are independent offices for two main founders. It can ensure the private and quiet atmosphere required for creation. The two offices also carry the functions of office work, private reception and sample display, and reserve sufficient space for the designers' personal style in the future at the same time.
TWO.
质朴包容的素净之美
Beauty of Simplicity and Inclusiveness
此次设计中，设计师对色彩、材质运用克制且考究。目之所及的唯有温润的木、公允的白以及空间各处散落着的乖张的红。色彩的统一与对比，表达澄明寂然下的暗潮涌动。
For this project, designers are restrained and exquisite in color and material.Only the warm wood and fair white, as well as the perverse red scattered everywhere in the space can be caught by the eyes. The unity and contrast of colors express the wave under the clarity and silence.空间中大面积的运用了百叶帘。在早晨和傍晚时刻，空间会迎来百叶帘制造的光之艺术，细密的光影链接起空间的内部与外部，打造不可预测的形式美感。Shutters are used in a large area of the space, which can create the art of light in the morning and evening. The fine light and shadow connect the interior and exterior of the space to create an unpredictable formal beauty.
而百叶帘下安置的彩色灯带被洁净的空间过滤了浮躁炫目，留下了纯粹的色彩属性和光的通透轻盈，偏安一隅。The colorful light belt placed under the shutter is filtered by the clean space, leaving a pure color attribute and light permeability.
由海洋桦木板打造的矮柜只做了简单的打磨，满足使用功能的前提下保留了木制材料原始的粗砺质感，朴素安静。The low cabinet made of sea birch wood has only been simply polished. On the premise of meeting the use function, it retains the original rough texture of wooden materials, which shows simplicity and peace.
自然无为即为“道”。具象的石块与植物，抽象的月球与砂岩，它们或粗糙，或平滑，但均具备着“温润包容”的内在含义。这些意向在空间中自由的存在与生长，深化了空间在东方美学上的表达。Inaction thought of nature is "Tao". No matter they are the concrete stones and plants, or abstract moon and sandstone, no matter they are rough or smooth, they all have the internal meaning of "warm and inclusive". The free existence and growth of these intentions in space deepens the expression of space in oriental aesthetics.
THREE.
谦逊自省的设计姿态
Design Attitude of Modesty and Introspection
设计师用“去装饰性”的手法来设计空间，在功能与美感之间寻求有机结合。这是实用主义的一种表达，同时作为纸水设计的首个工作室，设计师希望通过朴实内敛的空间氛围来陈述自我的设计姿态：设计作品可以是多视角、多风格的，但“设计”本身应当平实、落地、“去浮华”，应当承担社会责任，应当遵循自然与客观，应当回到解决问题的本质。
Designers use the technique of "de-decoration" to design and seek an organic combination between function and beauty, which is an expression of pragmatism. Moreover, as the first studio of Paper Water Design, designers hope to use a simple and restrained space atmosphere to state the design attitude: design works can have multiple perspectives and styles, but the "design" itself should be plain, accessible and "de-flashy", therefore, it should bear the social responsibility, follow the nature and objectivity, and return to the essence of solving problems.
FOUR.
忠于自我的择物意识
Choosing Consciousness of Loyalty to Oneself
“凡心所向，素履所往，生如逆旅，一苇以航。”在物质时代的语境下，忠于自我意识的表达才能获得更真实的共鸣。设计师不希望在空间中投入过多目的性，于是剥离了社会属性的伪装，真诚地剖析、袒露自我，期望搭建出个性化但不被时髦所钳制的空间，而后与空间共度时间，构建珍视自我、包容平和的内心秩序。"Where the heart goes, you can go even in the ragged; Life is not straight forward, you can sail even in a small boat." Under the background of the material age, the expression of loyalty to self-consciousness can obtain more real resonance. Designers do not want to invest too much purpose in the space, so, they tear off the disguise of social attributes to sincerely analyze and expose themselves. They hope to build a personalized space that is not clamped by fashion, and then they can spend time with the space to build an inner order that cherishes themselves with inclusiveness and peace.
平面图
项目名称 | 纸水设计工作室
Project | Studio of Paper Water Design
项目地址 | 中国扬州
Address | Yangzhou, China
建筑面积 | 150㎡
Building area | 150 ㎡
设计时间 | 2021年6月
Date of Design | June 2021
设计单位 | 纸水设计
Designed by | Paper Water Design
主案设计 | 张剑男
Main Design | Zhang Jiannan
视觉传达 | 王溥博
Visual Communication | Wang Pubo
项目摄影 | 徐义稳
Photographer | Xu Yiwen
主要材料 | 木饰面、砂岩、艺术漆
Main Materials | wood finishes, sandstone, art paint