Design Miami/ Basel 2021 "HUMAN NATURE"展会亮点揭秘！
今年9月21-26日的Design Miami/ Basel展会将会有超过40个艺廊参展。展品种类非常多元，从历史稀有的杰出作品，到与当今世界息息相关的新艺术作品都会出现在展会中。同时，此次所有展品都可通过www.designmiami.com在线购买，这也是展会的首例。
With over 40 gallery presentations set to be showcased at Design Miami/ Basel in September (21-26) the upcoming edition of the fair will present a wealth of historical and contemporary works, from rare masterpieces to new works that examine our relationships with the world around us. For the first time, each of the pieces will be available to view and shop online at www.designmiami.com while also displayed on the show floor of the Messeplatz.
此次参展艺廊非常丰富，你可以看到：
/ Rick Owens的新作，Harry Nuriev与Atelier van Asseldonk 首次亮相巴塞尔展会；
/ Hemmerle 与Carpenters Workshop首次展出珠宝系列
/ “Curio“与“Design At Large”展区参展艺廊名单
……
You will find an array of galleries, works and topics:
/ New work by Rick Owens, Harry Nuriev, and Atelier van Asseldonk debuts in Basel;
/ Jewelry on show with Hemmerle and Carpenters Workshop Jewellery at the fair for the first time;
/ Plus Full Curio and Design At Large Program Announcement
......
让我们一起来看看吧！
Let's have a look at this year's Basel Preview!
从Prouvé、Lalanne和Picasso这样的时代标志性人物，到Misha Kahn、Daniel和Boris Berlin等当代杰出艺术家，今年的展会将是当今设计市场的一个缩影。我们期待与大家共同欣赏这些作品，也希望展会可以成为与业内人士建立联系的契机。同时，此次展会首次开启了线上功能，观众可以在线上实时参观，并且点下鼠标点就可以立即购买。
This year’s presentations really offer an insightful snapshot of the current design market - from incredible works by icons like Prouvé, Lalanne, and Picasso, through to contemporary masterpieces such as Misha Kahn and Daniel and Boris Berlin. As we look forward to welcoming people back to Basel to experience these works and meet with the experts, we’re also excited to debut for the first time in Basel our online shopping and viewing experience, where all pieces on the show floor will be available to view and shop online in real-time.
—— Jennifer Roberts
Design Miami/ 首席执行官
CEO of Design Miami/
此次展会主题非常丰富，你可以找到：
Within the rich array of materials, some themes to be found include:
众多艺廊主、设计师以及合作伙伴都以今年Design Miami/ Basel展会的策展主题“HUMAN NATURE”展开了创作，展会主题是为了探索人类、自然以及物者天性之间的关系。
Many of the gallerists, designers and partners are responding to HUMAN NATURE, this year’s Design Miami/ Basel curatorial theme exploring the evolving relationship between humans, nature--and human nature.
Lamp, 2021 by Abel Carcamo at Galerie Scene Ouverte, courtesy of Galerie Scene Ouverte
Le Brochet, 1973 by François-Xavier Lalanne at Bailly Gallery, courtesy of Bailly Gallery
在楼下大厅中，Design Miami/ 与Superblue共同展示了DRIFT艺廊最大的装置作品“Shylights”，这是一个多感官类型的作品，作品的灵感来自于植物在太阳和月亮的作用下，反应产生的运动，这一过程也被称作植物的“感夜性”（nyctinasty）。
In the downstairs hall, Design Miami/ and Superblue present the largest installation of DRIFT’s Shylights, the multi-sensory work inspired by the movement of plants as they respond to the sun and the moon - a process known as ‘nyctinasty’.
Shylight by DRIFT
除了身临其境的设计体验外，空间还带来互动体验，在展会举办的一个星期之中，从冥想课程到现代舞表演，开启一系列的互动项目。
As well as the immersive design experience, to be augmented by an interactive component, the space will play host to a series of programs during the week of the fair, from meditation sessions to modern dance performances.
法国设计师Mathieu Lehanneur的作品将在展会的“Design at Large”展区展出，此次他带来的新作品“State Of The World”（世界现状）是Lehanneur根据联合国发布的人口数据，利用阳极氧化铝，拼凑出的不同国家的三维人口分布的金字塔雕塑，作品描绘了一幅当今世界人口现状的快照。
French designer Mathieu Lehanneur joins this year’s Design at Large program with a new work entitled State Of The World, a snapshot of our world today using demographic data provided by the United Nations and illustrated by an assemblage of anodized aluminum sculptures derived from three-dimensional population pyramids of different countries.
Galerie Mitterrand艺廊所代表的作品将同样在“Design at Large”展区展出。奥地利艺术家Peter Kogler将展出一组高矮、尺寸都不尽相同的桌子，玻璃桌表面的丝网印刷图像探索了这个逐渐被信息和电子通信所支配的世界，并映射出了多数人所感受到的无位置感，以及常常迷失方向的感受。
At Galerie Mitterrand, also part of the 2021 Design at Large program, Austrian artist Peter Kogler will present a new set of high and low tables in different sizes. The glass tables are silk-screened with images that explore a world increasingly governed by the flow of information and electronic communications and connect to the physical experience of placelessness and disorientation felt by many.
HUMAN NATURE让我们重新思考人类、自然以及人性的关系。‘可持续’和‘太空生存’不仅仅只是技术问题，同时也是认知、文化以及哲学的问题。当我们逐渐意识到以人为中心的世界观和方法论不再站得住脚时，我们想要知道设计是如何为我们提供与非人类和智能相处的新方式。
HUMAN NATURE asks how we might rethink the relationship between humans, nature, and human nature. The question of sustainability and planetary survival is not simply technical, but also cognitive, cultural and philosophical. As it becomes increasingly clear that human-centric worldviews and approaches are no longer tenable, we want to explore how design offers possibilities for reimagining our relationship with non-human beings and intelligences in more viable ways.
——Aric Chen
Design Miami/ Podium x Shanghai策展总监
Design Miami/ Podium x Shanghai
来自安特卫普的Everyday Gallery艺廊的艺术家Lionel Jadot，将从世界各地收集来的不拘一格物件通过拼贴的方式创作出新作品。创作前他没有画任何的草图，也没有任何的计划，Jadot用一种只有他自己知道的方式创作，作品的每一组成部分都俏皮的运用了“cadavre exquis”（尸体精品）的工作方式。
At Antwerp’s Everyday Gallery, new work by Lionel Jadot is collaged from an eclectic assortment of found objects collected from around the world. Not employing any sketches or plans, Jadot instead puts his work together using a process only known by the artist, with the pieces assembled in the playful cadavre exquis working method.
来自Gallery SCENE OUVERTE艺廊的艺术家Atelier Van Asseldonk，运用拼贴和DIY手工艺人的工艺，将各种生机勃勃的物体拼合在一起，创作了作品“Blackhole Mirror”。设计师们总是将自己视为当代工匠，或者更精确地说“未来的工程师”。
Atelier Van Asseldonk’s Blackhole Mirror at Gallery SCENE OUVERTE cobbles together a miscellany of exuberant objects through an approach based on techniques of collage and powered by DIY artisan techniques. The designers see themselves as contemporary craftsmen or rather ‘engineers of the future.’
Black Hole, 2021 by Atelier Van Asseldonk at Galerie Scene Ouverte, courtesy of Atelier Van Asseldonk
Black coral side table, 2021 by William Coggin at Galerie Scene Ouverte, courtesy of Galerie Scene Ouverte
2020东京奥林匹克运动会吸引了全球的瞩目，因此Design Miami/ Basel展会决定展出日本设计与工艺，以延续这份世界的瞩目。纽约经销商Erik Thomsen此次就带着一系列日本传统手工艺篮筐、15-17世纪的日本陶罐，以及20-21世纪的日本金漆盒重回展会。
With so much attention turned towards Japan for the 2020 Tokyo Olympics, it is unsurprising to also see a strong representation of Japanese design and craft at Design Miami/ Basel. New York-based dealer Erik Thomsen returns to Basel with another exquisite showcase of traditional Japanese basketry, complemented by Japanese ceramic jars from the 15th-17th century; Japanese gold lacquer boxes from the 20th-21st century; and Japanese folding screens.
Gallery Japonesque艺廊此次在“Curio”展区的首次亮相，艺廊将展出当代著名工匠Masatoshi Izumi以及Akihiro Isogai的玻璃作品。
Gallery Japonesque debuts for the first time in the Curio program with work by acclaimed contemporary artisan Masatoshi Izumi and glass pieces by Akihiro Isogai.
Pieces by Isogai & Izumi/
Galerie Japonesque
布鲁塞尔艺廊 Pierre Marie Giraud作为日本手工艺方面的专家，此次将带来一系列精美的手工艺作品，这其中包括自学陶艺家Kazunori Hamana的新作。Hamana生活在日本夷隅市，他做艺术的同时兼职渔夫，艺术作品从海洋生物的贝壳中汲取灵感，这些贝壳看起来就像被海水洗过一样光滑，还常常携带着在海中淘洗过的印迹，这些印迹都成了这座海滨城市的缩影。
Experts in Japanese crafts, Brussels gallery Pierre Marie Giraud will bring a selection of exquisite decorative pieces to Basel including new work by self-taught ceramicist Kazunori Hamana. Based in Isumi, Hamana spends his time working as both a craftsperson and a fisherman. His artworks take inspiration from once-inhabited shells that look as if they have been washed smooth by the sea and often feature engravings and scratches that reflect the seaside environments of Hamana’s home.
Tsubo/ Kazunori Hamana, 2020/ Stonewear, engobe/ Courtesy of Pierre Marie Giraud
Carpenters Workshop Gallery艺廊将展出“Curating Nature”的主题展览，艺廊利用当代目光捕捉日本传统园林中的平静和灵性。
Carpenters Workshop Gallery will capture the serenity and spirituality of a traditional Japanese garden, viewed through a contemporary lens with an exhibition called Curating Nature.
Console _ Green Table Urushi, 2017 by Aldo Bakker at Carpenters Workshop Gallery
整套艺术作品完整展示了和谐的美感，充满野性的材料都经由专业工艺的处理。这其中没有比Aldo Bakker的作品“Console/Green Table Urushi”展现的更淋漓尽致的了，作品的长条形造型暗示了一条从混乱到启蒙的道路。日本园林艺术的中心便是在视觉上承认时间的流淌，这些都清楚的展现在了Bakker对日本漆器的运用中，这些漆料的色彩将随着时间的流逝而越来越生动强烈。
The artworks shown all demonstrate the beauty of harmonious composition, with the wild nature of their materials tamed by expert processes. None is more carefully considered than Aldo Bakker’s Console/Green Table Urushi, the long form of which suggests a path through disorder to enlightenment. Central to Japanese garden curation is visually acknowledging the flow of time, shown in Bakker’s use of Japanese urushi lacquer, the pigmented layers of which grow only more vivid as they age.
不论是通过具有野兽派痕迹的新作，还是1960年代经受住时间考验的前瞻性思想，这些20世纪现代主义的经典之作都将在此次展会中强势展示。Carpenters Workshop Gallery艺廊的Rick Owens 与他的生活伴侣兼艺术家 Michele Lamy 合作，在“Design at Large”展区展示了他们创作的单色整体式家具以及大型雕塑作品，作品将野兽派建筑、极简主义和现代主义融会贯通。
The lasting legacy of 20th-century modernism makes another strong showing, whether through new pieces referencing brutalist works from the past or forward-thinking ideas from the 1960s that have endured the test of time. At Carpenters Workshop Gallery, Rick Owens has collaborated with his life partner and artist Michele Lamy to develop a piece of monochromatic, monolithic furniture and large-scale sculptural work for Design at Large that draws a connection between brutalist architecture, minimalism, and modernism.
来自上海的Objective Gallery艺廊将携中国设计师Chen Furong（陈福荣）呈现两件新作品在巴塞尔亮相，其中一件是艺术家“Weight of Shadow”系列中的躺椅，艺术家想要创作出一个跟过去几代人和文化息息相关的作品，同时是一种经久不衰的设计。
Shanghai-based Objective Gallery debuts in Basel with two new collections of work by Chinese designer Chen Furong. Included in the showcase is the sculptural Chaise lounge from Furong's Weight of Shadow collection which embodies the designer’s vision to create pieces that reference past generations and cultures while creating understated designs with longevity.
Hemmerle Earrings, 2021 by Hemmerle at Hemmerle, courtesy of Hemmerle
Hemmerle作为来自慕尼黑的第四代家族珠宝商，此次将在迈阿密设计展上首次亮相，并展出一系列当代作品，以此展示Hemmerle在珠宝行业的探索与实验。
Hemmerle, the fourth-generation family-run jeweller from Munich, debuts at Design Miami/ with an exhibition of contemporary pieces that highlight Hemmerle’s commitment to experimentation.
该工作室每年仅制作150件作品，有些作品需要500多小时才能完成，每一个设计都体现了Hemmerle的工艺和创新。由钻石、铝、青铜和白金制成的耳环借鉴了美国西南部峡谷大地风貌，而黄棕色的钻石镶嵌在青铜中并经过氧化，从而产生自然的纹理，通过将非传统材料融合并使用新的技艺，创造出非凡的美。
With only 150 pieces made by the atelier each year and some taking over 500 hours to complete, each design is a representation of Hemmerle’s workmanship and innovation. Earrings crafted from diamonds, aluminium, bronze and white gold reference the cracked earth of the American Southwest while a yellow-brown diamond is set in bronze and oxidized to reflect natural textures demonstrating how unconventional materials can be fused together to create pieces of exceptional beauty.
Carpenters Workshop Gallery将在Design Miami/ Basel首次展出来自Carpenters Workshop Jewellery（CWJ）的一系列作品。这是在2019年，首次成立的一个新部门，展出的许多作品都是在全球疫情爆发之前构思的，并在全球封锁和隔离期间继续开发制作完成，作为今年Curio板块的一部分首次展出，展示将包括Kayo Saito、Caroline Van Hoek和Ane Christensen等设计师的一系列新作。
Carpenters Workshop Gallery will debut Carpenters Workshop Jewellery (CWJ) at Design Miami/ Basel. A new division first initiated in 2019, many of the pieces on show were conceived before the pandemic and have been developed and completed during periods of lockdown and quarantine to be displayed for the first time as part of this year’s Curio program. The debut presentation will include new work by designers such as Kayo Saito, Caroline Van Hoek, and Ane Christensen.
SIDE GALLERY_Bookcase Manufactured by UNILABOR/ Geraldo de Barros, Brazil, 1955/ Jacaranda wood, iron, formica, brass details/ Courtesy of SIDE Gallery
延续巴西中世纪设计在收藏界的热度，9月在Design Miami/ Basel上将继续重磅展出巴西世纪中期的经典设计。著名的巴西画廊Mercado Moderno将在Curio板块重返巴塞尔，展示一系列画廊策展议题下的作品，包括巴西设计师Ines Schertel的“缓慢设计”主题。
Continuing to prove its popularity amongst collectors, Brazilian mid-century design will have a strong showing at Design Miami/ Basel in September. Renowned Brazilian gallery Mercado Moderno returns to Basel as a Curio to present a collection of works that demonstrate the gallery’s curatorial vision including the "slow design" of the Brazilian designer Ines Schertel.
由de Barros和friar João Batista在圣保罗成立的家具合作社Unilabor制作的出自Geraldo de Barros标志性作品回顾展将在SIDE Gallery展出。Unilabor旨在成为一种新的工厂社区模式，工人和艺术家聚集在一起，实现生产和社会的社群主义愿景。比利时画廊Gokelaere & Robinson专注于20世纪伟大设计师的作品，将展出Joaquim Tenreiro等巴西现代大师的作品，与Alvar Aalto等20世纪设计偶像进行对话。
A retrospective of iconic works by Geraldo de Barros produced by Unilabor, the furniture cooperative founded in São Paulo by de Barros and friar João Batista Pereira, will be on show at SIDE Gallery. Unilabor was intended as a new social model of the factory, where workers and artists came together to realize a communitarian vision for production and society. Belgian gallery Gokelaere & Robinson, specialists in the great designers of the 20th century, will present works by Brazilian modern masters such as Joaquim Tenreiro in conversation with other 20th-century design icons like Alvar Aalto.
Curio为一个展览平台，邀请设计师、建筑师、策展人、创意人士和画廊主共同参与，以一个整体的氛围呈现展示物件、质感肌理、手工艺等等，挑战熟悉的设计叙事，并将其场景化。Design Miami/ 的画廊展区中点缀着诸多Curio展区，为博览会注入了当今充满创意的愿景。
Curio is an exhibition platform that invites designers, architects, curators, innovators and gallerists to present total environments of objects, textures, artifacts and ideas that challenge and contextualize familiar design narratives. Curios are interspersed amongst Design Miami’s gallery program, infusing the fair with inventive snapshots of today's design landscape.
/ Carpenters Workshop Gallery
带来Carpenters Workshop Jewellery
/ Carpenters Workshop Gallery
presents Carpenters Workshop Jewellery
Carpenters Workshop Gallery将在Design Miami/ Basel首次推出其新的Carpenters Workshop Jewellery（CWJ）计划。将带来从未展出过的设计新品，包括设计师Aldo Bakker的第一件珠宝、Hunrod的一系列戒指设计以及Charlap Hyman Herrero和Christopher Thompson Royds联名设计的合作款耳环。
Carpenters Workshop Gallery will debut its new Carpenters Workshop Jewellery (CWJ) program at Design Miami/Basel. New pieces never shown before will be exhibited including the first-ever jewelry pieces by designer Aldo Bakker, a series of rings by Hunrod, and a unique collaboration earring designed by Charlap Hyman Herrero and Christopher Thompson Royds.
/ Converso呈现Americana：
早期大规模现代工业制造品
/ Converso presents Americana:
Early Mass Modern Objects for Industry
Converso将呈现Americana，这是西海岸一个大型的早期现代工业制造品收藏中心，经过过去30年的丰厚积累，并将首次在Design Miami/ Basel 2021上展出。
Converso is pleased to present Americana, a major West Coast collection of exemplary early modern industrial objects amassed over the last 30 years and presented at Design Miami/ Basel 2021 for the very first time.
作为一个真正的鉴赏家的藏品系列，Americana收藏了那些经典绝世的现代巨头最精巧、最罕见的工业设计作品：收音机、钟表、风扇、吹风机、华夫饼干熨斗和口琴，这些都是Charles Eames、Alvar Aalto、Alexander Girard、Raymond Loewy、Henry Dreyfuss和John Vassos等人为大众消费市场而设计的，以及由传奇的早期现代制造商如Bendix、Kisco、Emerson、Motorola和通用电气（General Electric）生产的其他设计。
A true connoisseur's collection, Americana includes the choicest, rarest examples of industrial design production by canonical modern giants: radios, clocks, fans, hairdryers, waffle irons, and harmonicas designed for mass consumption by the likes of Charles Eames, Alvar Aalto, Alexander Girard, Raymond Loewy, Henry Dreyfuss, and John Vassos, alongside other designs produced by legendary early modern manufacturers such as Bendix, Kisco, Emerson, Motorola, and General Electric.
/ Everyday Gallery呈现
Lionel Jadot个展
/ Everyday Gallery presents
a solo exhibition of works by Lionel Jadot
Let Me Talk, 2020 by Lionel Jadot at Everyday Gallery, courtesy of Everyday Gallery
Lionel Jadot不仅是一位著名的室内建筑师，还是一位艺术家、设计师和雕塑家。对于此次Design Miami/ Basel，Everyday Gallery将根据画廊早期为他呈现的展览Detrone Entrone而带来此次艺术家的个展。Jadot将打造概念化的沉浸式展览空间，以展示他的雕塑和传递直觉与本能的意识形态的创作，包括Paravent Japanese Cupboard和石膏造型的枝形吊灯，这些吊灯是由从世界各地收集和发现的材料制成的。
As well as being a renowned interior architect, Lionel Jadot is also an artist, designer and sculptor. For Design Miami/Basel, Everyday Gallery will present a solo exhibition of his work based on an earlier gallery exhibition, Enthrone Detrone. Jadot conceptualised an immersive space to illustrate his sculptural and intuitive upcycling instincts, including the Paravent Japanese Cupboard and the plaster moulded Elm Chandelier, made from found materials gathered and sourced from all over the world.
/ Galleri Format Oslo呈现
来自Edith Lundebrekke 的“Symmetric Matrix” &
来自Martin Bodilsen Kaldahl的“Spatial Drawing”
/ Galleri Format Oslo presents “Symmetric Matrix” by Edith Lundebrekke and “Spatial Drawing” by Martin Bodilsen Kaldahl
Martin Bodilsen Kaldahl. Spatial Drawing #16, 2017, H 78 B 56 D 56 cm, Glazed Earthenware. Photo Ole Akhøj
为此次Design Miami/ Basel，Galleri Format Oslo将呈现特别委任的创作作品，是来自Edith Lundbrekke和Martin Bodelsen Kaldahl创作的充满创意的当代斯堪的纳维亚风格的艺术品。
Showing works commissioned specifically for Design Miami/Basel, Galleri Format Oslo will highlight innovative and high-quality Scandinavian contemporary crafts by Edith.
Edith Lundebrekke. Symmetric matrix I, detail. Photo Thomas Tveter
Lundebrekke将带来大型的且独一无二的装置作品，一件直接与展位墙壁链接的木质浮雕，充满三维立体的抢眼的视觉效果。Kaldahl则专门为此次展览创作了两件大型陶瓷雕塑。Kaldahl的作品具有抽象、非叙事形式的表现力，直接影响着观众对艺术作品的感官体验。
Lundebrekke and Martin Bodilsen Kaldahl. Lundebrekke will present a complete installation of large unique reliefs of wooden bars mounted directly on the wall of the booth – a three-dimensional installation with a striking visual effect. Kaldahl has created two large-scale ceramic sculptures specifically for the fair. Kaldahl works with the expressive power of abstract, non-narrative form to directly impact the viewer’s sensuous experience of the artwork.
/ Gallery Japonesque展出"Ki"
/ Gallery Japonesque presents "Ki"
继2016年在Design at Large单元展出之后，这一次Gallery Japonesque将展出Koichi Hara的新作品“気—KI”，作为2021年Curio单元的一部分。新作“気—KI”引用一种被认为是宇宙间的自然能量，为一种生命力。
Following the gallery’s 2016 Design at Large presentation, Gallery Japonesque presents new work by Koichi Hara as part of the 2021 Curio program, 気—Ki, referencing natural energy considered the foundation of the universe, a life force.
Masatoshi Izumi的石雕作品Tsukubai（水池）位于中央，在空间中流动着真实的水。背景是Hiromichi Iwashita创作的三部曲，一种独一无二的会“呼吸”的墙纸，将一条曲线叠加在一条用6B铅笔绘制出的直线上。虽然是单色的，但颜色、声音和气味都是可见而隐藏的。Akihiro Isogai的用玻璃制造的喷泉系列与空间形成共鸣，反射出一个内在上涌的泉。
Masatoshi Izumi’s stonework Tsukubai (water basin) is central, flowing real water within the space. In the background is Hiromichi Iwashita’s trilogy of a one-of-a-kind wallpaper that ‘breathes’ a curve superimposed on a straight line drawn with a 6B pencil. Though monochrome, the color, sound, and smell are both visible and hidden. Akihiro Isogai’s glasswork Fountain series shares the space reflecting an inner spring, upwelling.
/ Harry Nuriev 展示 Silver Room
/ Harry Nuriev presents Silver Room
Harry Nuriev presents Silver Room
在第四件Design Miami/ Curio装置中，Crosby Studios创始人Harry Nuriev将展示作品Silver Room，这是一个展示新的参数化家具系列的超现实的“银色客厅”。Nuriev从60年代的太空时代美学中汲取灵感，回应反乌托邦的当下，并创造手指状胶囊造型的生态皮革家具系列来展望未来。Nuriev所创造的未来主义的形式与其似凡尔赛宫颓废的银色窗帘相搭配，构成了内部发光的天体灯箱。
For his fourth Design Miami/ Curio installation, Crosby Studios founder Harry Nuriev will present Silver Room, a new collection of parametric furniture situated within a surreal, silver living room environment. In response to our dystopian present, Nuriev takes inspiration from the space-age aesthetic of the 60s and looks toward the future by creating a collection of eco-leather furniture composed of finger-like capsules. The futuristic forms are paired with silver drapes reminiscent of Versailles decadence, which frame celestial lightboxes that illuminate the interior.
/ Maria Brunn呈现
Reflected Surroundings
/ Maria Brunn presents Reflected Surroundings
Reflected Surroundings / Maria Bruun, 2021
丹麦设计师 Maria Bruun展示了一系列全身镜，它们由实心上油胡桃木制成，成为空间中震撼瞩目的支柱。在“镜面大厅”中，我们的注意力被镜面吸引到房间中，这些镜面以环形方式排列成为一个整体，围绕着中央放置的不锈钢圆形餐桌。由分支固定的餐桌成为了展览的中心。Bruun邀请我们进入一个感性的空间，由他的自我意识中的审美体系展开，并设计空间的每个细节。
Danish designer Maria Bruun presents a collection of full-body mirrors in solid oiled walnut stands as proud pillars in the space. As in a hall of mirrors, our attention is drawn into the room by the impressive mirror modules that stand as monoliths, arranged around a centrally placed circular dining table in stainless steel. The dining table serves as the center of the exhibition with a base that branches out and anchors it. Bruun invites us into a sensuous space where every detail is carefully crafted, allowing for complete aesthetic self-awareness.
/ Mercado Moderno 展示
由Ines Schertel设计的Brazilian Warmth
/ Mercado Moderno presents Brazilian Warmth by Ines Schertel
Mercado Moderno是巴西最著名的设计艺廊之一，由 Alberto Vicente 和 Marcelo Vasconcellos于2001年在里约热内卢创立，艺廊展示了一系列描绘艺廊策展愿景的作品。由法国摄影师 Vincent Lappartient 敏感视角所描绘的——巴西设计师Ines Schertel的“慢设计”，通过对羊毛材质的使用，诠释了巴西的温暖，传达了“材料创意”一直是巴西设计核心的概念。
One of Brazil’s most renowned design galleries, Mercado Moderno, founded by Alberto Vicente and Marcelo Vasconcellos in Rio de Janeiro in 2001, presents a curation of works that reflect the gallery’s curatorial vision. The "slow design" of the Brazilian designer Ines Schertel - here portrayed by the sensitive eyes of the French photographer Vincent Lappartient - translates the warmth of Brazil through the use of wool, showing that creativity with materials has always been a hallmark of Brazilian design.
/ Nadja Zerunian 展示 Forbidden Fruit
/ Nadja Zerunian presents Forbidden Fruit
Nadja Zerunian presents Forbidden Fruit
© Daniela Trost
位于维也纳的艺廊Nadja Zerunian通过静态展示作品Forbidden Fruit ，为巴塞尔带来了一个视觉故事。该展览通过探索水果和植物等物质，阐述了物质如何作为“一种人类道德准则的视觉符号”在各个时代发挥作用。Zerunian一直对于信仰有关的不同符号和传说着迷，并对它们如何影响社会产生兴趣，通过展示了一系列珍贵的创作，让我们重新审视预先形成的文化假设和偏见。
Vienna-based Nadja Zerunian gallery brings a visual story to Basel through a still life presentation - Forbidden Fruit - that explores how objects, in particular fruits and plants, have acted as visual symbols for human moral codes through the ages. Having always been fascinated by the different symbols and legends related to faith, and how they affect society, Zerunian showcases a collection of precious creations that allow us to revisit pre-formed cultural assumptions and prejudices.
该画廊与世界各地的工匠和手工艺人合作，本次巴塞尔展出的特别设计由特兰西瓦尼亚的传统罗马工匠和来自奥地利、阿尔巴尼亚、格鲁吉亚和罗马尼亚的工匠大师合作制作，包括由铜、银、金、搪瓷、玻璃、陶瓷、木材和现成物品制成的作品。由手工雕刻、篆刻和嘴吹工艺制作而成，这些作品提供了一个没有文字的故事：物质，冻结，等待继续永无止境的故事。
The gallery specialises in collaboration with local artisans and craftspeople around the world. Produced in collaboration with traditional Roma craftspeople in Transylvania and master artisans from Austria, Albania, Georgia and Romania, the unique objects presented at Basel include works crafted from copper, silver, gold, enamel, glass, ceramics, wood and found objects. Hand carved, engraved and mouth-blown, the pieces offer a tale without words: objects, frozen, hesitantly waiting to continue never-ending stories.
/ Objective Gallery 展示陈福荣的作品
Weight of Shadow & Revelation of Gaia
/ Objective Gallery presents Weight of Shadow & Revelation of Gaia by Chen Furong
Weight of Shadow & Revelation of Gaia/ Chen Furong, 2021/ Courtesy of Objective Gallery
Objective Gallery在巴塞尔首次亮相，将其叙事环境被分为明暗两部分来展示中国设计师陈福荣的两个系列的新作。Weight of Shadow系列通过躺椅、屏风柜和边桌的简洁轮廓展现了陈对重量和体积以及光影的偏好。
Objective Gallery debuts in Basel with a narrative environment that has been divided into two distinct halves, the light and the dark, that showcase two new collections by Chinese designer Chen Furong. The Weight of Shadow collection shows Chen's appreciation for weight and volume, and light and shadow, through the clean-cut silhouettes of a lounge chair, screen cabinet and side tables.
相反，Revelation of Gaia系列以丝质白色画面展示，其中包含五件物品——一张带两张长椅的桌子、一面镜子和一个柜子——均由羊绒山羊毛制成，它们赋予这些作品一种空灵的品质，并突出了设计师陈福荣的愿景——强大而柔软的精神，具有内在的力量和柔情。
On the contrary, the Revelation of Gaia collection is displayed in a silky white tableau with five objects – a table with two benches, a mirror and a cabinet - that have been crafted using cashmere goat hair, giving the pieces an ethereal quality and projecting Chen’s vision of a strong and soft spirit with inner strength and tenderness.
/ OKKIM STUDIO呈现Merge Series
/ OKKIM STUDIO presents Merge Series
Merge Series, 2020 by Ok Kim at Ok Kim, courtesy of Ok Kim (4)
The Merge系列最初创造于 2016 年，其灵感来自佛教寺庙周围的石堆。在那里，人们通过小心地将每块石头以微妙的平衡添加到堆栈中来实现他们的愿望。艺术家 Ok Kim对他们的愿望和祈祷产生同理心，这促使她在她的作品中探索堆叠行为作为一种形成语言。她用独有的涂漆技术一层一层地“叠加”颜色，象征着累积的愿望。
The Merge series, initially created in 2016, was inspired by the stone stacks found around a Buddhist temple. People made their wishes by carefully adding each stone to the stacks in a delicate balance. Ok Kim, the artist, sympathized with their desires and prayers, prompting her to explore the act of stacking as a formative language in her artworks. She “stacked” colors layer by layer with her own lacquering technique to symbolize accumulated wishes.
在这个过程中加深了漆的透明度和光泽，就如同随着时间的推移变得更加强烈明显的祈愿。此外，她的作品也包括绘画和多用途雕塑，可用作艺术品、边桌或凳子。
Like a wish that becomes more apparent over time, the process deepens the lacquer’s transparency and luster. In addition, her collection includes paintings and multi-purpose sculptures that serve as art objects, side tables, or stools.
/ Paul Bourdet Fine Furniture
展示80年代的法国设计
/ Paul Bourdet Fine Furniture Presents The French 80s
Paul Bourdet Fine Furniture在 Design Miami/ Basel首次亮相，将传达其画廊在过去两年中为重新发现法国1980年代设计所做工作的梗概。该项目将展出Philippe Starck、Jean-Michel Wilmotte、Martin Szekely、Gilles Derain 和 Robert Wilson等当时主要设计师的经典且稀有的作品。这些作品都是在过去六年中被发现和收集的，囊括了上世纪80年代和90年代法国设计的激进性和多样性。这些作品将在体现那个时代精神的“power office”中展出。
For its debut at Design Miami/ Basel, Paul Bourdet Fine Furniture will present a summary of its program and of the work the gallery has done over the past two years to rediscover French 1980s design. The project will feature vintage rare and important pieces by major designers from that time such as Philippe Starck, Jean-Michel Wilmotte, Martin Szekely, Gilles Derain, and Robert Wilson. These pieces were hunted and collected over the past six years and represent a coherent overview of the 1980s and ‘90s French design in its radicality and diversity. The pieces will be showcased in a ‘power office’ embodying the spirit of that era.
/ Todd Merrill 展示了一个由
Markus Haase 创作的
Monumental Cloud系列LED雕塑
/ Todd Merrill presents a Monumental Cloud Series LED Sculpture by Markus Haase.
Todd Merrill Studio带来的由Markus Haase设计的委托作品——云系列 LED 雕塑，将以个展方式展示，并永久展示在新设计的纽约市高层建筑中。Haase是当今为数不多的，在工作室手工制作青铜作品的艺术家之一。
Todd Merrill Studio brings the site-specific Markus Haase Cloud Series LED Sculpture as a solo exhibition before it takes its permanent residence in a newly designed New York City highrise. Haase is one of the few artists working today crafting unique works in bronze by hand in his studio.
Todd Merrill to Present a Solo Installation of German Artist Markus Haase’s Bronze and Onyx Light Sculptures at Design Miami Basel/ Studio view of sculpted forms installed before casting to show placement, breadth, and scale.
他的每件青铜和缟玛瑙光雕塑都是由手工制作，从不采用铸造工艺成倍制作，所以他的作品每一件都是独一无二的。他先是在泡沫中雕刻出每一个圆形，然后使用一种他独创的铸造技术，破坏原始形状，使每个圆形都成为独特的。而后通过手工雕刻玛瑙，使其并与青铜融合，LED内部扩散。
Rather than employing production or using the casting process as a mechanism for making multiples, each of his bronze and onyx light sculptures is completely unique and hand-crafted. He carves each circular form in foam before using a self-developed technique of casting that destroys the original, rendering each one-of-a-kind. Onyx is then hand-carved and merged with the bronze, diffusing the internal LEDs.
作品理念来源于自然形式和系统，用制造珠宝的精细技巧制作。这座由纽约市一栋26层新公寓大楼委托设计、高度近30英尺的青铜、缟玛瑙制作的LED悬浮雕塑，将被陈列在这座公寓的大堂，欢迎游客的到来。
Referencing natural forms and systems, the works are produced with jewelry-like finesse. Commissioned for a new 26-story condominium building in New York City, the nearly 30-foot bronze, onyx and LED suspended sculpture will welcome visitors to the lobby of the luxury building.
Design at Large展区展出历史与当代设计的藏品，展示具有概念和工业创新的突破性建筑装置。Design at Large展区精心挑选了一系列一批受当下全球设计唤醒主题影响下的作品，希望成为一个参观者发现新灵感新藏品的地方。
Design at Large presents large-scale works of historical and contemporary design, showcasing ambitious architectural installations that feature both conceptual and industrial innovation. Design at Large is intended to be a site of discovery for visitors to the fair, presenting a selection of works that explore a particular theme inspired by current topics in design.
/ Carpenters Workshop Gallery艺廊
/ Carpenters Workshop Gallery
Carpenters Workshop Gallery艺廊的 Rick Owens 与他的生活伴侣兼艺术家 Michele Lamy 合作，在“Design at Large”展区展示了他们创作的单色整体式家具以及大型的雕塑作品。融合雪花石膏和泡沫聚苯乙烯等材料，两人将野兽派建筑、极简主义和现代主义融会贯通。虽然他们的材料和审美超出常规，但他们同样创造出一个结合重量、纪念主义以及一种超越人性仪式感的有机且纯粹的物件。
Created by Rick Owens in collaboration with life partner and artist Michele Lamy, Carpenters Workshop Gallery will present a piece of monochromatic, monolithic furniture and large-scale sculptural work for Design at Large. Incorporating materials such as alabaster and styrofoam, Owens and Lamy make a firm connection between brutalist architecture, minimalism, and modernism. While the aesthetic and materials are not conventional, they strongly demonstrate the same capacity to create organic and simple shapes that resemble weight, monumentalism, and a sense of form that goes beyond human nature.
/ Galerie Mitterand艺廊
/ Galerie Mitterand
Untitled, 2013 by Peter Kogler at Galerie Mitterrand, courtesy of Galerie Mitterrand, photo_ André Morin
在“Design At Large”展区中，Galerie Mitteran艺廊展示了奥地利艺术家Peter Kogler的新作品，这是一组高矮、尺寸都不尽相同的桌子，桌子的玻璃桌表面是丝网印刷图像，外部由一圈金属的框架支撑， 整个系列的桌子都充满着艺术家所创作的欢快多彩又抽象的丝网图案。
For Design At Large, Galerie Mitterand presents new work by Austrian artist Peter Kogler, a series of high and low tables in different sizes. Made of silk-screened glass held in a metal frame, the tables feature a joyful and colorful abstract mesh pattern by the artist.
/ 设计师Mathieu Lehanneur
/ Mathieu Lehanneur
Mathieu Lehanneur presents STATE OF THE⠀WORLD
法国设计师Mathieu Lehanneur的新作品“State Of The World（世界现状）”将在展会的“Design at Large”展区展出。2020年全球疫情让我们重新感受到了“脆弱”和“短暂”的感觉，从欧洲到亚洲，从美洲到非洲，世界对死亡的反应从来没有如此同步过。
Mathieu Lehanneur presents a new project, “State of the World," at Design Miami/ Basel. The 2020 global pandemic reintroduced into our consciousness a feeling of fragility and transience. From Europe to Asia or from America to Africa, the world has never reacted so synchronously to the possibility of death.
“State Of The World（世界现状）”是当今世界超过100个国家，所有人类的一个缩影，一个凝结的框架。设计师运用阳极氧化铝，拼凑出的不同国家的三维人口布局金字塔雕塑，展现出过去、现在以及未来人口走向和命运的证据，这些充满原始同时又具有装饰性的黑色脊状轮廓，是从联合国发布的人口数据中衍生而来的。
State of The World is a freeze-frame of all living humans today in over 100 countries, illustrated in a collection of anodized aluminum works that arise from a three-dimensional population pyramid of different countries. Offering past, present, and future evidence of the fate of world populations, the black spined silhouettes derive their almost primitive yet decorative shapes to demographic data provided by the United Nations.
/ Joseph Walsh Studio 工作室
/ Joseph Walsh Studio
Magnus Installation, 2021 by Joseph Walsh at Joseph Walsh Studio, courtesy of Andrew Bradley
Joseph Wals即将在Design Miami/ Basel展会中推出新作品“the Magnus Sculpture and Dining Table”。Magnus是虚无缥缈的，通过宁静和复杂的表现手法呈现的一个想法、一种情绪，来与观众产生一种肢体和感官上的互动。
Joseph Walsh will launch new works, the Magnus Sculpture and Dining Table, at Design Miami/ Basel. Magnus is a drawing in air, an idea and an emotion expressed through form that is serene or complex, created to engage with the viewer in a physical and intuitive way.
Maguns一词在拉丁语中翻译为“大”，反映了这些雕塑的规模和存在感，雕塑环绕着观众的同时，也重新定义了这个建筑空间。从可以在手中观看的极小物件到一个甚至可以置身其中的巨大物件，整个系列展示了Walsh对材料和形式的创作方法。从手绘模型到设计开发、原型制作以及工程，作品最后之所以可以非常流畅的表现形式到收尾，完全依赖于它繁复的制作过程。
The title Magnus, from the Latin for large or great, reflects the scale and presence of these sculptures which encircle the viewer and redefine the architecture of the spaces for which they are designed. The series represents Walsh’s approach to material and form, from the intimate scale of an object to hold in the hand to the monumental scale of an object to stand within. The grace and flow of the finished forms belie the complex process, from sketch models to design development, prototyping, and engineering, through which they have been realized.
/ Noemi Saga Atelier工坊
/ Noemi Saga Atelier
Noemi Saga Atelier工坊将在Design Miami/ Base展会中展出“SUCURI SNAKE, SCULPTURE 2020 Bichos do Brasil”，一系列代表巴西动物的木雕作品。平衡具象与极简主义的特点，“Sucuri Snake”在一个名叫Botanic Green的石头中被重新塑造，这块石头是从Pettrus采石场中生产的一种翠绿色石英岩，位于巴西的巴伊亚。整个作品分别建在不同的高度上，来表达一种运动的感觉，同时也想邀请观众与作品形成互动。
Noemi Saga Atelier presents SUCURI SNAKE, SCULPTURE 2020 Bichos do Brasil, a series of wooden sculptures that represent Brazilian animals for Design Miami/ Basel. Balancing figurative and minimalist features, the Sucuri Snake was scaled up to new dimensions in a stone called Botanic Green, an emerald green quartzite produced by Pettrus, a quarry located in Bahia, Brazil. Its modules are built in different heights, suggesting movement and inviting the audience's interaction.
Design Miami/ Basel 2021 艺廊名单/：
Design Miami/ Basel 2021 Galleries/ ：
Design Miami/ Basel 2021
"Curio" & "Design at Large"展区
艺廊名单/：
Design Miami/ Basel 2021 Curio/ & Design at Large/：
展会日程/：
Schedule of Events/：
预览日/仅限邀请制
Preview Day/ By Invitation Only
周一，九月二十日
Monday, September 20/
藏家预览/12-6 PM
Collector’s Preview/ 12-6 PM
VIP预览/ 6-8 PM
VIP Preview/ 6-8 PM
公众开放日/：
Public Show Days/：
周二，九月二十一日，11-8PM
Tuesday, September 21/ 11 AM - 8 PM
周三，九月二十二日，11-8PM
Wednesday, September 22/ 11 AM - 8 PM
周四，九月二十三日，11-7PM
Thursday, September 23/ 11 AM - 7 PM
周五，九月二十四日，11-7PM
Friday, September 24/ 11 AM - 7 PM
周六，九月二十五日，11-7PM
Saturday, September 25/ 11 AM - 7 PM
周日，九月二十六日，11-7PM
Sunday, September 26/ 11 AM - 7 PM