流光 | 杨淞作品
杨淞
深蓝黎明，2023
激光雕刻铝板、不锈钢钢丝
350 x 200 x 10 cm
由艺术家与AYE画廊惠允
Yang Song
Blue Dawn, 2023
Laser carved aluminum plate, stainless steel wire
350 x 200 x 10 cm
Courtesy of the artist and AYE Gallery
杨淞
绿瞳，2023
激光雕刻铝板、不锈钢钢丝
150 x 150 x 9 cm
由艺术家与AYE画廊惠允
Yang Song
Green Pupil, 2023
Laser carved aluminum plate, stainless steel wire
150 x 150 x 9 cm
Courtesy of the artist and AYE Gallery
杨淞
猫爪星云，2023
激光雕刻铝板、不锈钢钢丝
50 x 50 x 9 cm
由艺术家与AYE画廊惠允
Yang Song
NGC6334, 2023
Laser carved aluminum plate, stainless steel wire
50 x 50 x 9 cm
Courtesy of the artist and AYE Gallery
“光丝”系列作品是关于光的装置。圆形的光晕游走在0.1毫米钢丝编织的结构之上。你凝视着它，它也在凝视你。每位观者在移动中都会看到一个跟随其脚步变化的光晕。这是一件五维而非三维的作品。因为光和时间因人而改变。当你凝视光晕陷入更深的思考时，就会发现一个更高维度的时空，看到光的绵延的形状。光茫必将照耀思想，点亮灵魂。
Light Threads is a series of installations about light. A circular halo wanders upon a structure woven with 0.1-millimeter stainless steel wire. As you gaze at it, it gazes back at you. Each viewer, as they move, will notice a halo of light that changes in accordance with their footsteps. This is a five- rather than three-dimensional work, because light and time alters along with people. As you contemplate the halo, delving into deeper thoughts, you will discover a time-space of higher dimensionality and see the meandering shapes of light. The light will inevitably illuminate the mind and irradiate the soul.
关于艺术家
About Artist
杨淞
Yang Song
1987年生于辽宁，2013年本科毕业于中央美术学院雕塑系，现生活工作于北京。
杨淞的作品造像和中国传统文化的联系紧密，他的艺术实践反映了他介于个人身份认同与社会关系的挣扎反思。杨淞也尝试了很多雕塑以外的媒介进行创作，他常将旅行经历加入到作品的创作之中，因此他的作品多倾向自我探索，以此寻找和接近生命本质。近年，杨淞创作了一批金属雕塑，以相反的方向思考对速度、光、时间和空间的相互关系。金属本身代表着后工业时代的一种高速裹挟，杨淞将雕塑高速旋转，雕塑的轮廓逐渐消失，速度将时间与空间粘连，速度越快时空越粘稠，此地与他地、此时与他时越模糊、甚至趋同。
他的近期个展包括“延续的秩序”，上海K11美术馆，上海，2023；“边缘的边缘”，Yuan美术馆，北京，2022；“灭点”，AYE画廊，北京，2021；“木艮土”，杨画廊，北京，2017。
Born in 1987 in Liaoning. Graduated from the Central Academy of Fine Arts, Beijing ,China. Yang Song currently lives and works in Beijing.
Yang Song’s sculptures are closely linked with traditional Chinese culture. His artistic practice reflects his own struggle between personal identity and social relations. In recent years, Yang Song has also tried various media besides sculpture, such as images and installations. He frequently adds his travel experience to the creation of his works, therefore, most of his works tend to explore themselves in order to approach and find the essence of life. Last year, Yang Song created some metal installations, which reflected his view on the relationship between speed, light, time and space in the opposite direction. The metal itself represents a kind of high-speed entrapment in the post-industrial era. Yang Song used machinery to accelerate the rotation of the sculpture. The outline of the sculpture gradually disappeared. The speed adhered time and space. The faster the speed, the more viscous space and time became. The place and other places became blurred and even merged at this time.
His recent solo exhibitions include “The Extend Order”, Chi Shanghai K11, Shanghai, 2023; “Peeling Earth”, Yuan Museum, Beijing, 2022; “Vanishing Point”, AYE Gallery, Beijing, 2021; “Askr Yggdrasils”, Gallery Yang, Beijing, 2017.
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