项目外观, Project facade ©Liu Songkai
感谢 厸建筑设计事务所 LIN Architecture 分享
01 场地的环境
本次空间实验是木屋1号的姊妹设计。场地仍然位于江苏镇江江心岛的旅游区的临河边，作为能够为村民和游客提供休息的场所的社交发生器，我们依然从非功能的角度入手考虑设计。This spatial experiment is a sister design of Wooden House No. 1. The site is still located near the river in the tourist area of Jiangxin Island in Zhenjiang, Jiangsu Province. As a social generator that can provide resting places for villagers and tourists, we still consider the design from a non-functional point of view.场地现状, Site status ©LIN Architecture基于心理分析的光线和视野研究, Light and vision research based on psychoanalysis ©LIN Architecture
Proxemics: relationship and space如何用临时性的微型建筑激发场地中的活动，项目的设计研究者们回归原始的建筑空间诉求，并从宏观场地环境和微观的人体活动行为进行理论探讨。建筑的属性随需求而变化，物质基础决定了建筑的属性:从实现人类生活基本需求的原始小屋，到坚守共同信仰、提供最早正式聚会的教堂; 如今的居住空间已经提高了居住者的生活质量，进一步满足了精神需求。这就需要一种新的建筑方法，以建筑的方式发现宏观的城市问题，并提出相应的建筑体系来纠正这些问题。正如凯文林奇之节点，在小的尺度上增加人与人的社交可能性，再在宏观的角度上激活社区的活力。The project is a spacial experiment on using small-scaled temporary buildings to stimulate the site. The research comes from the original architectural aspirations, and the oretically explore them from macro and micro perspectives. The properties of the building changes based on demands, and the material basis determines its property: from the primitive hut that realizes the basic needs of human living, to the church that holds the common faith and provides the earliest formal gathering spaces; the current living space has to enhance the quality of life of users, further to meet the spiritual needs. This requires a new approach in architecture, to find the macroscopic urban problems and propose systems to correct them by means of architecture. As the node proposed by Kevin Lynch, on a small scale, it raises the communication opportunities of people, and further activate the vitality of the community at a macro level.
环境、空间和人的关系, Environment space and human ©LIN Architecture
开阔与封闭的交互, The intersection between openness and enclosure ©Liu Songkai
自然与人造之对话, The communication between the nature and the man-made ©Liu Songkai
在《隐秘的维度》一书中，爱德华霍顿用距离来丈量微观尺度上人的亲密关系，进而用类型学的分类总结出了人类的空间关系学。从近到远，几种社交关系可以被分类为：亲密（0到18英寸）、私人（18英寸到4英尺）、社交（4到10英尺）、公共（10英尺以上）；交流者之间的社会关系影响着社交距离的生成。换言之，通过设定人与人之间的社交距离，可以相对应地致使其使用者在空间中的生成特定的感觉及行为。In The Hidden Dimension, Edward Horton used distance to measure human intimacy on a microscopic scale, which topologically classified the behaviorology. According to the distance, several social relationships can be classified as: intimate (0 to 18 inches), private (18 inches to 4 feet), social (4 to 10 feet), and public (more than 10 feet); the social relationship between individuals influences the generation of social distance and social relationships. In other words, by setting the social distances between people, it can correspondingly cause its users to generate specific feelings and behaviors in the space.
空间的事件, Event and movement ©LIN Architecture水平与垂直的瞭望窗, The Parallel and Vertical Observation Window ©Liu Songkai
内与外的交流, The Communication Between the Inner and Outer Spaces ©Liu Songkai
基于以上的研究，“堂”基于人体尺度，用“切片”的概念，设定不同空间指引人和人的交往模式。从具体的设计而言，“堂”的设计方针先是从人的尺度出发；再结合空间关系学、人类行为学与人体工学，进一步设定游览者在空间中的具体路径及行为。故而人在不同的切片尺度中进行多样的社交活动，并与西面河流的自然环境与东面村落的人文环境相和谐。
Based on the previous theoretical researches, Wooden Pavilion #2 is a prototype of the
combination between theory and practice: based on human scale, each section of the pavilion is used to set different spaces to guide people and their interaction patterns. In terms of the specific design design process, the formation strategy of Wooden Pavilion #2 starts from the human scale; then combines proxemics, behaviorology, and ergonomics to further set up the specific path and behavior of visitors in the space. Therefore, people carry out various social activities in the various sections of the pavilion, and enjoy the harmonious natural environment of the river in the west and the humanistic environment of the village in the east.
行为的社会性, Hund’s rule & Pauli exclusion principle ©LIN Architecture体块的交错, Interlacing of volumes ©Liu Songkai一个停留腔体, Stand by ©Liu Songkai
闲聊的角落, Chatting corner ©Liu Songkai
闲聊的角落, Chatting corner ©Liu Songkai
此前，周边村子中长期缺少宜人实用的公共空间。而此建筑不仅与村落传统建筑形式产生对话，也为村民服务。闲暇之余，村民们在此进行公共性社交，享受体验建筑空间与周边自然环境之间融洽和谐的关系。空间与人社交关系的理论性，在村民们的实际使用得到了注解，成为激发周边社区活力的重要公共空间节点。并且，“堂”也成为了游客们打卡的必经之地，作为乡村经济重要组成部分的乡村旅游，也因为“堂”项目的建成而受益。
Previously, there was a long-standing lack of pleasant and functional public spaces in the surrounding villages. Wooden Pavilion #2 not only creates a dialogue with the traditional architectural forms of the village, but also serves the local residents. In their leisure time, they can communicate and to enjoy the harmonious relationship between the architectural space and the surrounding nature. The theoretical nature of the social relationship between space and people is illustrated by the villagers' actual use of the building, which becomes an important public space node to stimulate the vitality of the surrounding community. In addition, Wooden Pavilion #2 has became a must-see destination for tourists, and acts significantly as an important part of the rural economy.
空间的采光通道, Light wells ©LIN Architecture
小尺度之雄伟, Sublimity at a small scale ©Liu Songkai
天窗, Sky window ©Liu Songkai
03 材料与结构
马克威格利在“故事时间”Mark Wigley, “Story-Time”（1995）一篇文章中描述到，“那么建筑物就矗立在那里，与走过的人交谈，将建筑师的信息传递给世界。建筑师是腹语者。建筑中真正的工艺是制作一个好故事，这取决于之前的一个故事，它与一种特定的工艺形式，一种组装式建筑材料以及言论形式相关。建筑细节的精确度意味着论题论点的精确度”。建筑材料为钢和木材，它们先在工厂预制完成后于现场焊接起来。建筑主要结构为热弯钢，木龙骨是二级结构。木材的肌理和特性与周边环境要素互动，这为土著景观创造了新的场所感。"Then the building stands there, talking to those who walk by, communicating the architect's message to the world. Architects are ventriloquists then. The real craftsmanship in architecture is the crafting of a good story, which depends on a prior story about the way a certain kind of craftsmanship, a certain way of assembling building materials, talks. The precision of a building detail is the precision of a point in an argument."Mark Wigley, “Story-Time” (1995)The materials were steel and wood, prefabricated in factory and welded on site. Steel was hot-bent to shape the major structure, and wooden keel is the secondary structure. The texture of wood interacted with the surrounding environmental elements, producing a new environmental sense to the local landscape.
座椅细节, Seat detail ©LIN Architecture
钢结构细节, Steel structure ©LIN Architecture
外观细部1, First detail of the facade ©Liu Songkai
外观细部2, Second detail of the facade ©Liu Songkai
外观细部3, Third detail of the facade ©Liu Songkai
屋顶结构细部, Detail of the roof structure ©Liu Songkai天窗细部, Detail of the sky window ©Liu Songkai项目图纸
总平面图, Site plan drawing ©LIN Architecture
平面图, Plan drawing ©LIN Architecture
剖面图, Section drawing ©LIN Architecture项目信息
项目名称: 堂 · 关于空间原型的实验（二）
项目地点: 江苏镇江江心洲五套村
建成时间: 2021年12月建筑面积: 50平方米用地面积: 200平方米主持设计师：林立峰（Finn Lam）、柴宗睿教学研究支持及物料支持：RAC studio木材与钢结构加工与建造指导：上海木乐康木结构建筑工程有限公司技术顾问：邵应宏、胡红满、业主以及场地提供：江苏镇江江心洲五套村，奥雅设计文字以及部分图纸绘制：奚秩华、胡馨文、李焕阳设计参与以及现场施工建造：陈宇威、奚秩华、胡馨文、李焕阳、王思捷、简蕾骥、许若欣、叶星彤、严湛林、魏清源、王天旭、吴子乐、虞婷婷、林畑宇摄影版权：刘松恺、林立峰
Project Name: Wooden Pavilion #2– an experiment of archetypeDesign Firm: LIN Architects (www.lin.archi) Design Contact (lin@lin.archi)Project location: Wutao Village, Jiangxinzhou, Zhenjiang, JiangsuLead Architects: Lin Lifeng, Zongrui ChaiTeaching research support and Materials Support: RAC StudioConstruction guidance: Shanghai Mule Kangle Wood Structure Co., LTDTechnical Consultants: Shao Yinghong, Hu Hongman, Xie GongOwner and venue: Aoya Design, Jiangxinzhou Wutao Village,Drawings and words: Hu Xinwen, Xi Zhihua, LihuanyangDesign participation and site construction: Hu Xinwen, Xi Zhihua, Li Huanyang, Wang Sijie, Jian Jilei, Xu Ruoxin, Ye Xingtong, Yan Zhanlin, Wei Qingyuan, Wang Tianxu, Wu Zile, Yu Tingting, Lin TianyuPhotographs: Songkai and Lin Lifeng
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