建E首发 | 木子仁：时光与空间沉淀美学

━

本案是由木子仁设计事务所为VALORYS所设计的展厅，如何在不喧宾夺主的情况，将产品进行展示，整个设计从空间细化到局部个体。

This case is an exhibition hall designed by Muziren Design firm for VALORYS. How to display the products without dominating, and the whole design from space refinement to local individuals.

━

设计师认为家具展厅早已不是尽可能展示更多家具，将展厅塞得满满当当的过去式，而是利用展厅用灯光赋予的空间，呈现各个不同场景需求的画面感，将空间和家具融为一体，塑造空间，才有不同的表达和际遇。

The designer thinks the furniture exhibition hall is not to show more furniture as far as possible, the exhibition hall is full of past style, but use the space given by the exhibition hall with the light, present the picture sense of each different scene demand, the space and furniture as one, shape the space, just have different expression and opportunity.

━

其中展厅的陈设和展示构建内容也是设计中非常重要的部分，线条构建空间，形式穿透边界，也可以看做家具展示，也可以理解成微缩居住空间，对设计师而言，它需要严谨的线条，合理不张扬的比例，又带有居住者的理想。

Among them, the display and exhibition construction content of the exhibition hall is also a very important part of the design. The line construction space, the form penetrates the boundary, can also be regarded as furniture display, and can also be understood as a miniature living space. For designers, it needs rigorous lines, reasonable proportion, and with the ideal of residents.

━

墙面圆弧或者直线几何形体，呈现出空间的高级感，家具在空间内部赋予更多意义。

Metope arc or straight line geometric shape, showing the advanced sense of space, furniture gives more meaning inside the space.

━

整个展厅形体紧凑，但空间各自立体，地面的深色映衬天花的广阔。

The whole exhibition hall is compact, but the space is three-dimensional, the dark of the ground set off the broad smallpox.

━

通过墙面的形体，天上灯光的圆。再次将空间分明别类，人在空间穿梭变得立体生动起来。

Through the shape of the wall, the circle of the sky light. The space is distinct and different class again, the person is in the space shuttle to become three-dimensional and vivid rise.

“一个真正好的设计是既有设计的美感又有坚实的生活底色。

设计是创造无限可能，而空间设计是最高境界。”

李涛

木子仁设计总监

以人为本的空间，需要用心体会空间的光影，材质的搭配，色彩的考究，细节的掌控。和谐的自然环境是极致的追求，平淡中创造惊喜，利用整体的把控营造出符合人体工程学的设计，赋予空间美学意识。

△ 深圳双子湾

△ 深圳中信红树湾