展览时间：2020年12月25日-2021年4月11日主 办：上海多伦现代美术馆、上海美术学院当代艺术研究所、北京大学“中国现代艺术档案”、吴作人国际美术基金会相关艺术家：（注：共107名/组艺术家，标*者为展出原作的艺术家）陈天灼、陈维、陈轴、范勃、高洁、黄永砯（已故）、金锋、李晖（已故）、李琳琳、李怒、李青（男）、李涛、厉槟源、梁绍基、刘建华*、陆垒*、欧阳春、秦思源、石青、孙原&彭禹、王功新、王礼军、尉洪磊、徐坦、许哲瑜*、杨诘苍、杨明、姚海*、于吉、于洋、张超、张恩利、郑维、何工、贺丹、劳家辉、梁铨、林惠兴、罗湘科、倪有鱼、庞茂琨、隋建国、王光乐、aaajiao(徐文恺)、Bnb帮你搬（罗振鸿、陈泥耳、孙珂）、陈文令、储云、方璐、何采柔、何利平、何翔宇、胡伟、计文于&朱卫兵*、阚萱、李竞雄*、李燎、梁半、林科、刘日立、刘真辰、吕智强*、佩恩恩、任伦、施政、谭英杰、王拓、文皆俊杰、徐震®、杨光南、杨健、易连、曾吴、张文心、张钊瀛*、周童、曹斐、程新皓、方迪、刘窗、汤南南、杨圆圆、郑江、程然、奶粉zhou、能尖日、山河跳！、商思敏、尤阿达、张权、赵邦、周轶伦、邓悦君、费俊、刘昕、吴珏辉、武子杨、郑达、周姜杉、Amy Suo Wu、曹雨、陈粉丸、董金玲、耿雪、沈莘*、王伟（女）、黄于纲、焦兴涛
由上海多伦现代美术馆、上海美术学院当代艺术研究所、北京大学视觉与图像研究中心、吴作人国际美术基金会共同主办的“中国当代艺术年鉴上海展2019”（以下简称“上海展”）将于2020年12月25日在上海多伦现代美术馆开幕。本次展览是以上海美术学院当代艺术研究所与北京大学“中国现代艺术档案”（CMAA）的调查工作为基础，在《中国当代艺术年鉴》（以下简称“《年鉴》）的基础上，对过去一年中国当代艺术的问题和现象作出的回顾和分析。
计文于、朱卫兵：“救助站”计文于&朱卫兵个展，上海Square Gallery，2019年（©计文于）《年鉴》编辑部位于北京大学燕南园52号，从2005年开始对中国当代艺术现场的各类展览、活动、文献进行不间断地记录和总结，迄今已逾15年，积累了由一手资料汇集而成的数据库，其中2019年收录展览和活动3941条、文献4319篇，15000多个艺术家的活动信息。在数据库基础上，通过统计和计算总结中国当代艺术的“变量”。从2015年开始，每年举办“中国当代艺术年鉴展”，对中国当代艺术中最具变革性的现象和艺术创作进行文献和原作的展示。本次“上海展”也是对“中国现代艺术档案”工作方法的一次展示。
李竞雄：《极度虚假》，单屏影像，双声道立体声，中文人声，中英文字幕，时长：9分15秒，仓储笼 (100 × 80 × 50 厘米) × 5个，钢制托盘 (100 × 100 × 12.5 厘米) × 4个，球鞋 × 123双，2019年（HdM画廊惠允，作品图来自“极度虚假”，HdM画廊，北京，中国）在艺术中反映社会变迁还是在艺术中探索人类精神的解放是艺术中的经典问题，也在中国当代艺术的创作中一直得到持续的体现。中国当代艺术伴随着改革开放而诞生，也伴随着中国社会的巨大发展而发展。当代艺术中的作品不仅反映了社会变化的现象，也反映了这个大环境中人群的感受。在另一方面，当代艺术也像其他艺术一样，永远向着人类情感中的未知之地和创作的手段、媒材、形式等学科的边缘进行着不懈的探索。本次“上海展”就这两方面的艺术现象和问题在近年来的作品中的表现，均予以揭示。因此，在文献的基础上，本次“上海展”也选择了近年“年鉴艺术家”中能够体现这些问题的代表作品进行原作的展示，形成原作和《年鉴》文献材料的铆合。“上海展”中展示的原作是艺术家们近年的新作品，既有刘建华这样资深的艺术家，也包含了沈莘这样的年轻艺术家，他们或长期生活在上海，或在过去一年中在上海举办展览，体现了这一对问题在上海的新表征。对这两种方向的艺术探索的关注，构成了本次“上海展”的两条主要线索。
刘建华：《火焰》，2016-2019，瓷，可变尺寸，图片来源：刘建华工作室
本次上海展对于新世纪以来上海地区活跃的艺术现象，也选取案例结合统计分析结果，加以展示。上海是中国当代艺术最为活跃和富有创造性的城市之一，在中国近代以来的艺术进程中有三个不同寻常的高潮。第一个出现在抗日战争之前，与世界同步发生。第二个是2000年第3届上海双年展开启了中国当代艺术的合法化进程。第三个是2012年以来上海的当代艺术展览机构和公私巨大机构、场馆和活动的快速增长。
陆垒：《被闪电击中的W&H》，铸铝、铜、榉木、玻璃、橡胶圆片、欧松板基座，313（高）×300（宽）×204厘米（男性巨人（高）210厘米，女性巨人（高）189厘米，底座（高）130厘米），2019年（图片由陆垒和香格纳画廊提供）
在上海扮演艺术进程重要角色的节点中，离不开国际化的背景。中国当代艺术的国际化不仅包含了一些显性的因素，例如：艺术家和展览的国际交流增多，也表现在一些隐性的因素上，例如艺术家教育背景的国际化，机构运作机制的国际化等。
吕智强：《长路漫漫》，声音装置，绘画、摄影、长凳、彩色，有声，视频 9小时，立体声67分钟，尺寸可变，2019年（©吕智强）
正是基于对这些现象和问题的长期关注，上海美术学院建立当代艺术研究所与北大“中国现代艺术档案”合作，以上海及华东地区为核心，积极开展当代艺术的调查、档案收集和整理及研究工作，对上海在中国近代史上的当代艺术发展历史的调查研究与正在发生的问题研究和档案建设，以及以这一学术基地为基础引导和研究当代艺术的创作、学术讨论和出版，这次展览是系列工作中的一个环节。正因为有如此,“上海展”的策划工作，更像是一次通过调查和统计让问题自己浮现的过程。
沈莘：《温暖期》，单频影像，2018年（创作），展出于“使饱和”沈莘个展，上海没顶画廊，2019年（©没顶画廊）本次展览还将与北京798艺术区的“中国当代艺术档案”馆的网络展、坪山美术馆的“中国当代艺术年鉴深圳展2019”构成呼应关系，共同展示中国当代艺术近年来的重要现象和贡献。展览期间也将举行研讨活动，就作品和现象背后的理论问题进行更深入的探讨。
许哲瑜：《副本人》，录像，21分17秒，2019年（©许哲瑜）
姚海：《花明处解构 矛盾中缝合》，表演、装置，尺寸可变，2018年
张钊瀛：《如来神掌》，视频，6分35秒，2019年
要空间
注：作品版权归艺术家及其委托人所有
Exhibition: The Exhibition of Annual of Contemporary Art of China 2019，ShanghaiDuration: December 25, 2020 - April 11, 2021Opening Ceremony: 3 p.m. on December 25, 2020Executive Curator: Xu Zhijun, Gu JiajunCuratorial Assistant: Li WenjingOrganizer: the Shanghai Duolun Museum of Modern Art, the Institute of Contemporary Art at the Shanghai Academy of Fine Arts, the Center for Visual Studies of Peking University and Wu Zuoren International Foundation of Fine ArtsArtists：(107 artists/teams in total, who have original works exhibited are starred*, with the rest as documentary artists.）
Chen Tianzhuo, Chen Wei, Chen Zhou, Fan Bo, Gao Jie, Huang Yongping(deceased), Jin Feng, Li Hui(deceased), Li Linlin, Li Nu, Li Qing(male), Li Tao, Li Binyuan, Liang Shaoji, Liu Jianhua*, Lu Lei*, Ouyang Chun, Qin Siyuan, Shi Qing, Sun Yuan&Peng Yu, Wang Gongxin, Wang Lijun, Wei Honglei, Xu Tan, Hsu Che-Yu*, Yang Jiecang, Yang Ming, Yao Hai*, Yu Ji, Yu Yang, Zhang Chao, Zhang Enli, Zheng Wei,He Gong, He Dan, Lao Jiahui, Liang Quan, Lin Huixing, Luo Xiangke, Ni Youyu, Pang Maokun, Sui Jianguo, Wang Guangle, aaajiao(Xu Wenkai), Bnb(Luo Zhenhong, Chen Nier, Sun Ke), Chen Wenling, Chu Yun, Fang Lu, Joyce Ho, He Liping, He Xiangyu, Hu Wei, Ji Wenyu&Zhu Weibing*, Kan Xuan, Li Jingxiong*, Li Liao, Liang Ban, Lin Ke, Liu Rili, Liu Zhenchen, Lyu Zhiqiang*, Pei Enen, Ren Lun, Shi Zheng, Tan Yingjie, Wang Tuo, Wenjie Junjie, Xu Zhen®, Yang Guangnan, Yang Jian, Yi Lian, Zeng Wu, Zhang Wenxin, Zang Zhaoying*, Zhou Tong, Cao Fei, Cheng Xinhao, Fang Di, Liu Chuang, Tang Nannan, Yang Yuanyuan, Zheng Jiang, Cheng Ran, Nathan Zhou, Nhozagri, Mountain River Jump!, Shang Simin, You Ada, Zhang Quan, Zhao Bang, Zhou Yilun, Deng Yuejun, Fei Jun, Liu Xin, Wu Juehui, Wu Ziyang, Zheng Da, Zhou Jiangshan, Amy Suo Wu, Cao Yu, Chen Fenwan, Dong Jinling, Geng Xue, Shen Xin*, Wang Wei(female),Huang Yugang, Jiao Xingtao , Yell Space*
The Exhibition of Annual of Contemporary Art of China 2019，Shanghai（hereafter as “the Shanghai Project”）will open at the Shanghai Duolun Museum of Modern Art on December 25, 2020, co-organized by the Shanghai Duolun Museum of Modern Art, the Institute of Contemporary Art at the Shanghai Academy of Fine Arts, the Center for Visual Studies of Peking University and Wu Zuoren International Foundation of Fine Arts. Built on the researches conducted by the Institute of Contemporary Art at the Shanghai Academy of Fine Arts and the Chinese Modern Art Archive (CMAA), the Shanghai Project reviews and analyzes the issues and phenomena of Chinese contemporary art in the past year on the basis of the Annual of Contemporary Art of China (hereafter as “the Annual”).Located at No.52 Yannan Garden at Peking University, the editorial department of the Annual has kept recording and summarizing the development of Chinese temporary art including the exhibitions, events and documents since 2005. it has built a database of firsthand materials for over 15 years, in which it included a total of 3941 exhibitions and events of Chinese contemporary art, 4319 documents, and event information of over 15000 artists in 2019. The changes and development of Chinese contemporary art is hence obtained by reviewing the records in the database. The Annual Exhibition of Contemporary Art of China has been held since 2015 to display the artworks and documents reflected the most transformative social and artistic phenomena in the Chinese temporary art. The Shanghai Project is an exhibition of the methodology of CMAA.
It is a classical problem whether to reflect social changes or to seek for spiritual liberation of mankind in art, which could always be found in the artistic creations of Chinese contemporary art. The contemporary art of China was born with the rise of the reform and opening-up, and has developed with the massive transition of the Chinese society. The works of contemporary art not only reflects and phenomena of social changes but also show how the people feel in the environment. On the other hand, just like other arts, the contemporary art continues to explore the unknown realms of human emotion as well as to extend the borders of means, media, formats of artistic creation, the artistic phenomena and problems of which are both reflected in the artworks created in recent years displayed on this exhibition. Therefore, the Shanghai Project selects and exhibits the original artworks by “the Annual Artists*” in the recent years that could best represent these issues according to the Annual, creating an echo between the Annual documents and the original artworks. The originals exhibited on the Shanghai Project are created by the artists in the recent years, including both senior artists such as Liu Jianhua and young artists like Shen Shen. They either live in Shanghai for a lone time or have held exhibitions in Shanghai in the past year, whose works could reflect the latest characteristics of these two problems in Shanghai’s social context. The focuses on the artistic exploration of these two directions constitutes the two major clues of the Shanghai Project this year.The Shanghai Project also displays the statistics and case studies of active artistic phenomena in Shanghai in the 21st century. As one of the most dynamic and creative cities of Chinese contemporary art, Shanghai has witnessed three phenomenal climax periods throughout the modern history of Chinese contemporary art, the first of which took place simultaneously with the world before the World War II. The second refers to the third Shanghai Biennale in 2000 that launched the legitimated process of Chinese contemporary art development, while the third refers to the upsurge in the museums, institutes, venues and events of contemporary art in Shanghai since 2012.The internationalization is of great importance to Shanghai for playing a significant role in promoting contemporary art. The internationalization of Chinese contemporary art not only has explicit factors such as the growth of cross-cultural communication of artists and exhibitions, but is also attributed to the implicit factors like the internationalization of the artists’ educational background and that of the institutes’ operation mechanism.It is based on the constant concern of these phenomena and problems that Shanghai Academy of Fine Arts established the Institute of Contemporary Art and cooperated with CMAA to conduct researches upon contemporary art, collect and analyze documents centered in the region of Shanghai and East China. The study consists of the researches of Shanghai in the Chinese contemporary art development in the modern history, the study on the ongoing issues, the archive construction, and the artistic creations, academic conferences and publications led by this academic base or aimed at the study of contemporary art. This exhibition is one session in the serial project. For this reason, the planning of the Shanghai Project is a process to have the problems arise by themselves through researches and statistics.This exhibition echoes with the online exhibition of CMAA at the 798 Art District in Beijing and the Shenzhen Project of Annual Exhibition of Contemporary Art of China 2019 at the Pingshan Art Museum, which together display the significant phenomena and contributions of Chinese Contemporary Art in the recent years. Workshops to further discuss about the works and theories behind the phenomena will also be held during the exhibition.The exhibition will last until April 11, 2021.
上海多伦现代美术馆
上海多伦现代美术馆由上海市虹口区文化和旅游局于2003年创建，是一个按现代多功能目标规划建设的、为中国当代艺术发展和服务的非营利文化艺术机构，是一个当代艺术国际化交流的平台。它以 " 原创性、学术性、国际性 " 为办馆理念，具有展览、研究、教育、收藏、交流五大功能。
温馨提示：参观须提前预约，来现场的观众须出示本人身份证、当日有效的参观预约码、本人实时绿色“随申码”，入馆前须接受体温测量，参观过程中皆需全程佩戴口罩，排队和观展时请保持1.5米以上距离。
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