HOW新展预告｜张鼎&金氏彻平：两个俱乐部

张鼎&金氏彻平：两个俱乐部

ZHANG DING & TEPPEI KANEUJI : TWO CLUBS

展期：2023年10月27日-2024年3月31日

艺术家：张鼎&金氏彻平

策展人：朱砂

地址：昊美术馆（上海）一楼，

          上海市浦东新区祖冲之路2277弄1号

主办：昊美术馆

联合主办：星空间、香格纳画廊

*Please scroll down for English version.

昊美术馆荣幸宣布将于2023年10月27日起，呈现张鼎与金氏彻平的合作展览“两个俱乐部”。本次展览回顾梳理张鼎、金氏彻平近十年创作的一百余件代表性作品，包括绘画、雕塑、装置、影像等多种媒介，集中体现两位艺术家独特审美和多元化的社会视野。

张鼎、金氏彻平分别出生于1980年和1978年，在商业主义盛行的时代中长大的他们，选择脱离宏大叙事的意象与审美，转而将新生代的青春杂想融入个人表述。张鼎从音乐汲取灵感，使用“控制俱乐部”命名个人品牌和表演创作；无独有偶，金氏彻平基于童年收集动漫玩偶的经历，将玩偶部件重构为“青春粉丝俱乐部”系列雕塑。两位艺术家的作品风格迥异，但他们认同艺术的普世性，不约而同地在创作中使用“俱乐部”的概念作为一种文化形态吸引更多观众参与互动。展览以“两个俱乐部”为名，以人与文化、空间的关系为线索，邀请大家探讨公众认知与个人想象力、计划与偶然、完成与未完成的意义。

本次展览将展出至2024年3月31日！此外，本次展览入选为第22届中国上海国际艺术节参展项目。

音乐：SHAO(邵彦棚）Circle composition 圆合成

关于艺术家

 张鼎 

张鼎（1980年生，生活工作于上海）是在当代艺术界最为活跃的中国艺术家之一。他常使用雕塑、 装置及影像等媒介进行创作，也常举办大规模的、积极邀请其他艺术家及观众参与的视觉-音乐现场 项目。这些作品作为一个整体呈现，具有强烈的表演性、音乐性和戏剧性，探索与人类观念、集体 意识、意志冲突、权力以及心理和身体操纵有关的概念。张鼎的展览和项目反映了社会和政治背景 下发生的异化现象，并将具有对抗性和混乱性的场景搬上舞台。

2016年，张鼎创立了 CON TROL CLUB，这是一个与不同艺术家、音乐人和时装设计师合作举办 另类派对和聚会的厂牌，以多媒体装置、亚文化音乐和视觉表演为特色。

部分个展包括 "张鼎: 控制俱乐部"，复星艺术中心，上海（2020）；"高速形式"，OCAT上海（2019）；"安全屋"，掩体空间、怀俄明计划和KWM艺术中心，北京（2018）; "漩涡"，香格纳画廊，上海（2017）；"⻛卷残云"，RAM，上海（2016）；"龙争虎斗3"，吉尔曼军营，新加坡（2016）；"龙争虎斗2"，Chi K11美术馆，上海（2016）；"龙争虎斗"，ICA伦敦，英国（2015）；"黄金白银"，奥地利维也纳克林辛格画廊（2013）。

他的作品在国际机构和双年展上展出，如第七届广州三年展（2023，广州）；阿斯特鲁普-费恩利现代艺术博物馆（2017和2007，挪威奥斯陆）；里昂双年展（2013，法国里昂）；休斯顿当代艺术博物馆（2012，美国）等。

 金氏彻平 

金氏彻平探究日本当代文化中的大众消费议题，从日常生活中获取材料，运用现成品和漫画形象创作出既妙趣横生又惊人耸动的雕塑作品。他成长在过分刺激且图像泛滥的文化中，将过度消费所产生的废物相互嫁接，创作出糖果色的雕塑和以漫画线条为元素的版画。自2002年开始，金氏彻平创作了标志性的系列“白色释放”，将活动人偶、塑料仿真食品和其他小物件组成类似于建筑的结构，并在上面覆盖粘稠的白色树脂。这些拼贴物在形式上既静且动，具有不可思议的吸引力，指向着它们所体现的那些毫无关联的事物。无论在物理层面还是心理层面，它们的特质都是多重层次的、被合理化的，通过复杂的组合关系，它们被赋予了新的生命。

金氏彻平1978年生于日本，现生活工作于日本京都。他于2003年获得京都市立艺术大学雕塑硕士学位。他的作品曾在千叶原湖畔美术馆、纽约日本协会、东京上野之森美术馆、香川猪熊弦一郎现代美术馆、京都艺术中心、新加坡泰勒印刷学院、北京UCCA当代艺术中心、神户兵库县立美术馆、神奈川横滨美术馆、广岛市现代美术馆、东京都现代美术馆、布达佩斯当代艺术博物馆、东京森美术馆、大阪国立国际美术馆、首尔国立大学美术馆等多地展出。他曾获 Sovereign亚洲杰出艺术奖（2016）、京都市新人奖和盛开野花奖。他的作品被多家日本机构收藏，包括横滨美术馆、东京森美术馆、广岛市现代美术馆、香川高松市立美术馆、东京都现代美术馆、大阪国立国际美术馆、丰田市美术馆、金泽21世纪美术馆。同时还被一些国际机构收藏，包括昆士兰美术馆、布里斯班现代艺术馆、北京UCCA当代艺术中心及KADIST收藏。

关于策展人

 朱砂 

朱砂，1988年生于南京，设计师、策展人。通过多方位的合作，他广泛地介入不同形态的文化实践，弥合与拓展公共领域的多样性。2014年成立一千遍工作室。作品获东京TDC提名奖、台湾金点奖、金衣奖、德国German Design Award、米兰A design、苏格兰国际海报节、纽约TDC等奖项。

他近年策划的展览包括“阿那亚海报节”（2020）；“社会细节”，金鹰美术馆（2020）；“物！物！物！”，十点睡觉艺术空间（2021）；“候鸟300”，阿那亚戏剧节（2021，2023）；“局部城市”，瓦美术馆（2021）；“旧时今日”，星空间（2023）。

张鼎&金氏彻平：两个俱乐部

ZHANG DING & TEPPEI KANEUJI : TWO CLUBS

Duration: 2023.10.27-2024.03.31

Artist: Zhang Ding & Teppei Kaneuji

Curator: Zhu Sha

Venue: HOW Art Museum (1F, No. 1, Lane 2277, Zuchongzhi Road, Shanghai)

Organizer: HOW Art Museum

Co-host: STAR GALLERY、ShanghART

HOW Art Museum is pleased to announce TWO CLUBS, a collaborative exhibition by Zhang Ding and Teppei Kaneuji, to be held from October 27, 2023, which comprises more than 100 representative works created by both artists over the past decade, spanning across painting, sculpture, installation, video, and other media, focusing on their unique aesthetics and diversified social perspectives. 

Born in 1980 and 1978 respectively, Zhang Ding and Teppei Kaneuji grew up in an era of commercialism. They chose to break away from mainstream imagery and aesthetics, instead introducing the youthful musings of the new generation into their personal expressions. Drawing inspiration from music, Zhang Ding uses "CON TROL CLUB" as his personal brand and performance art practice, while Teppei Kaneuji has been reconstructing toy parts into a series of sculptures called "Teenage Fan Club," based on his childhood experience of collecting anime figurines. Although the two artists' works vary in style, they recognize the universality of art and coincidentally use the concept of "club" in their practice as a cultural form to attract more audience participation and interaction. With the title "Two Clubs," the exhibition takes the relationship between man, culture and space as a clue, inviting us to explore the meaning underlying public perception and personal imagination, plan and chance, completion and unfinishedness.

The exhibition will last till March 31, 2024 as a part of the 22nd China Shanghai International Arts Festival.

ABOUT THE ARTISTS

 Zhang Ding 

Born in 1980, based in Shanghai, Zhang Ding is one of the most active and influential Chinese artists. His practice often consists in large scale projects including installations, sculptures, videos, paintings, frequently animated with live performances. These works presented as a whole, with a strong performative, musical, dramatical nature, explore notions related to human perceptions, collective consciousness, conflict of wills, power as well as psychological and physical manipulations. Zhang Ding's exhibitions and projects reflect on alienations taking place in a social and political context, and stage scenes with confrontational and chaotic natures.

In 2016, Zhang Ding founded CON TROL CLUB, a label hosting alternative parties and gatherings featuring multimedia installations, subculture music and visual performances in collaborations with various artists, musicians and fashion designers.

Selected solo exhibitions include: “Zhang Ding: CON TROL CLUB”, Fosun Foundation, Shanghai (2020); “High-Speed Forms”, OCAT Shanghai (2019); “Safe House”, the Bunker, Wyoming Project and the KWM art center, Beijing(2018); “VORTEX”, ShanghART, Shanghai (2017); “Devouring Time”, RAM, Shanghai (2016); “Enter the Dragon III”, Gillman Barracks, Singapore (2016); “Enter the Dragon II”, Chi K11 Art Museum, Shanghai (2016); “Enter the Dragon”, ICA London, U.K. (2015); “Gold & Silver”, Galerie Krinzinger, Vienna, Austria (2013).

His works were presented internationally in institutions and biennales such as: the 7th Guangzhou Triennial (Guangzhou, 2023); Astrup Fearnley Museum of Modern Art (Oslo, Norway, in 2017 and 2007); the Biennale of Lyon (Lyon, France, 2013); The Contemporary Art Museum in Houston, (U.S.A., 2012), among others.

 Teppei Kaneuji 

Teppei Kaneuji investigates the mass consumption of contemporary Japanese culture, sourcing materials from everyday life, found objects and manga characters to create sculpture that is at once playful and menacing. Kaneuji grafts together the detritus of overconsumption, creating candy-colored sculptures and prints with Manga-influenced lines that are the product of the overly stimulating, image-saturated culture in which he was raised. His signature series, White Discharge, (2002 onwards), consists of architectonic constructions assembling action figures, plastic food, and other small objects, covered with goopy white resin. Static yet dynamic in form, the unlikely allure of these bricolage entities lies in their embodiment of estranged elements; be they physical or psychological, attributes are layered, rationalized and given a new life through complex arrangements.

Teppei Kaneuji (b. 1978, Japan) lives and works in Kyoto, Japan. Kaneuji earned an MFA in sculpture at Kyoto City University of the Arts in 2003. His work has been exhibited at Ichihara Lakeside Museum, Chiba, Japan; The Japan Society, New York, NY; Ueno Royal Museum, Tokyo, Japan; Marugame Geniciro-Inokuma Museum of Contemporary Art, Kagawa, Japan; Kyoto Art Center, Kyoto, Japan; Singapore Tyler Print Institute, Singapore; Ullens Center for Contemporary Art, Beijing, China; Hyogo Prefectural Museum of Art, Kobe, Japan; Yokohama Museum of Art, Kanagawa, Japan; Hiroshima City Museum of Contemporary Art, Hiroshima, Japan; Museum of Contemporary Art, Tokyo, Japan; Ludwig Museum of Contemporary Art, Budapest, Hungary; Mori Art Museum, Tokyo, Japan; National Museum of Art, Osaka, Japan; and The Museum of Art, Seoul National University, Seoul, Korea, among many others. Kaneuji was awarded the Sovereign Asian Art Prize, Hong Kong (2016); Best Young Artist Award, City of Kyoto, Japan; and the Sakuya-Konohana Award. Works by Kaneuji are included in the public collections of several Japanese institutions, such as the Yokohama Museum of Art, Yokohama; Mori Art Museum, Tokyo; Hiroshima City Museum of Contemporary Art, Hiroshima; Takamatsu City Museum of Art, Kagawa; Museum of Contemporary Art Tokyo; The National Museum of Art, Osaka; Toyota Municipal Museum of Art, Toyota; 21st Century Museum of Contemporary Art, Kanazawa; as well as several international collections, such as the Queensland Art Gallery, Queensland and the Gallery of Modern Art, Brisbane, in Australia; the Ullens Foundation Collection, Beijing, China; and KADIST, Paris, France.

ABOUT THE CURATOR

 Zhu Sha 

Zhu Sha, born in Nanjing in 1988, is a designer and curator. Through multi-faceted collaborations, Zhu engages extensively in various forms of cultural practices, bridging and expanding the diversity of the public sphere. In 2014, he founded the One Thousand Times Studio. His designs have been recognized by the Tokyo TDC Nomination Award, Taiwan Golden Pin Design Award, G-book Design Award, German Design Award, Milan A design, International Poster Competition in Scotland, New York TDC Award, etc. 

His curatorial practice in recent years includes Aranya Poster Festival (Qinghuangdao, 2020), Social Details at Golden Eagle Museum of Art (Nanjing, 2020), MONO! MONO! MONO! at Click Ten Art Space (Beijing, 2021), Migratory Birds 300 by Aranya Theater Festival (Qinghuangdao, 2021 and 2023), TOPO-URBANISM at WA Art. Architecture Museum (Beijing, 2021), as well as YESTODAY at Star Gallery (Beijing, 2023).