高洁个展“高洁人民出版社”，将于9月22日下午17点，在上海市徐汇区复兴中路1331号黑石公寓（上海交响乐团音乐厅对面）二楼26单元：U26开幕。展期持续至10月16日。

高洁人民出版社

GaoJié People's Publishing House

从编制《三国演义》书籍，到写作《伪艺术史》节目，再到开发《艺术参数》程序，艺术家高洁的许多工作就像来自一家具有当代经营意识的出版社，始终围绕内容的编辑生产展开，而且不仅仅是做书。只是颇为奇特的，这家出版社的选题策划、责任编辑、文字校对以及市场发行都是一个人，甚至连供稿的作者也是同一个人。藉由一种近乎戏仿的“向内出版”，艺术家持续地将自我公共领域化，成为一个人的人民出版社。在“高洁人民出版社”这个题目中，“高洁”既指称一个人物也指称一种所在，它总是牵扯着某种无以表征的至内部、无以集置的极少数。基于如此所是以及所在的劳作和展示，或可诠释存于每个自我身上的自我发现、自我书写、自我编辑、自我审查、自我修订、自我发行的出版过程。这一系列潜在的生产痕迹，正在一次又一次地扰动着当代主体解释意义上的自我技术版图。

策展人：芬雷

From editing the book The Romance of the Three Kingdoms, to making podcast series False Art History, to developing digital program Art Parameter, artist GAO Jié’s works seemed to be produced from a publishing house with the consciousness of contemporary business management. What’s bizarre about this publishing house is that the person in charge for planning, editing, proofreading and marketing is the same one, even the author that contributes the articles. By using this way of an almost parodical “internal publication”, the artist keeps externalizing the self into the public sphere, and becomes a people’s publishing house of only one person. In the title of “GAO Jié People’s Publishing House”, “GAO Jié” refers to a person as well as some existence, which is always implicated with the most inner part that cannot be represented, and the minority that cannot be enframed (Gestell). Based on so and so, the work and its demonstration can be used to interpret each process of self-discovering, self-writing, self-editing, self-censoring, self-amending and self-publishing of each individual. This series of underlying traces of production is interfering, again and again, the hermeneutical meaning of the contemporary subject of the territory of the technologies of the self.

 Curator：FEN Lei

开幕Opening：9.22，17:00，SAT.

展期Duration：9.22—10.16

地点Address：

U26，上海市徐汇区复兴中路1331号黑石公寓26单元

Unit 26，Blackstone Apartments，No.1331 Middle Fuxing Road， Xuhui District, Shanghai

艺术家：高洁

高洁1979年出生于鼓浪屿，大学毕业后赴法国12年留学并从事当代艺术创作，现工作&生活于上海。高洁的艺术创作深入并跨越许多不同的学科，始终保持了对知识结构的挑战。他每一件作品，都建立一个使人得以“游牧”的“框架”（framework）：

1 每一件作品，都各自提出一个全然不同的“框架”（具有完全不同的知识根系）；

2 每个“框架”是一个全新架构出的，独立，组织严谨的知识模型；

3 每一个“框架”，各自拷问一个最为基本的艺术问题；

4每一个“框架”，是一个实验的过程，通过实施这件作品，能够获得一个未知的答案（通过完成该艺术实验才能得知结果）；

高洁的代表作品 - 《伪艺术史》音频作品，各大音频平台已连载两年，包含数十万字的介绍，作品直接将用于理解当代艺术的知识工具用于创作；《艺术参数》系鉴赏艺术作品的网络程序，系列持续实施已有十年，目前已是第六版，探讨对艺术作品的理解及沟通语言；《Art4A.I. 1.0》手机游戏：创作给人工智能欣赏的艺术；《Art4A.I. 2.0》人工智能：可以欣赏艺术作品的人工智能；《世界》已有十年，包含《定义一个观念》系列；《三国演义》探讨语言结构问题。主要个展包括« Art4A.I. » , Bannister Gallery，罗德岛大学，美国，（2017）。« 世界 » , 唐人当代艺术中心,北京，中国，（2014）。 « 把你种在自己的花园里 », A2Z art 艺廊, 巴黎, 法国，（2013）。« 你在我脑中 », A2Z art 艺廊, 巴黎, 法国，（2012）。

GAO Jié was born in Gulangyu Island, Xiamen in 1979. After graduation from university, he went to France for 12 years. He now works and lives in Shanghai. Gao Jié’s artistic creation engages multidisciplinary subjects while keeps challenging the structure of knowledge. Each of his works attempts to build up a “framework” that brings the audience into a state of “nomadism”：

1.    Each work is corresponding to a totally different ‘framework’ (With completely different knowledge roots);

2.    Each ‘framework’ is a brand-new, independent and precisely-organized knowledge model;

3.    Each ‘framework’ tortured one of the most basic artistic issues;

4.    Each ‘framework’ is the progress of a test, through which he can get an unknown result(The result can be known by finishing art tests).

GAO Jié’s representative works - False Art History podcast series is released on all leading audio platforms and has been a continuous project for over two yeas, including images and texts that amounts to hundred thousand words, and directly makes the knowledge tool for understanding contemporary art into artistic creation; Art Parameter, an internet application that reviews artworks, an ongoing project for over ten years and now in it’s sixth version, discusses the understanding of artworks and the language that we use for communication; Art4A.I. 1.0 the mobile game: it is art that is made for A.I. to appreciate; The World is over ten yeas, including the series of Define A Concept; The Romance of the Three Kingdoms explores the questions of linguistic structure. Main solo exhibitions including Art4A.I., Bannister Gallery, University of Rhode Island, US (2017). The World, Tang Contemporary Art, Beijing, China (2014). Put Your Seed In Your Own Garden, A2Z art gallery, Paris, France (2013). You Are Inside My Head, A2Z art gallery, Paris, France (2012).

策展人：芬雷

芬雷是泼先生发起人之一，记述电影联合发起人，图书出版品牌“拜德雅”合伙人。曾策划记述电影周（杭州，2014）、 “居伊·德波电影周”（杭州，2015）和“纪念罗兰·巴特诞辰100周年研讨会”（上海，2015）；曾联合策划“写一切：重识社会文本与艺术实践”（2016.6-2016.8）、第11届上海双年展城市项目“谷神变”（2016.10）、“方志小说：驻村写作联展”（安徽碧山，2018）等。

FEN Lei，One of the founders of Pulsasir, co-founder of Récit Film and partner of the book publishing brand “Paideia”. Curated “Récit Film Week” (Hangzhou, 2014), “Guy Debord Film Week” (Hangzhou, 2015), “Symposium in Memory of Roland Barthes’ 100th Anniversary” (Shanghai, 2015); and co-curated “Write Everything: Re-recognize social texts and artistic practices” (2016.6 - 2016.8), the city project of the 11th Shanghai Biennial “Grain God Narrative” (2016.10), and the “Gazetteer-Novel: A Joint Writing Exhibition of the Village Residency” (Beshan, Anhui Province, 2018) and etc..

特别鸣谢：

新世纪当代艺术基金会

Special Thanks to:

NEW CENTRY ART FOUNDATION

泼先生成立于2007年，是虚拟的非正式团体，致力于歧异情境之中的写作实践、学术思考和艺术行动。