【商业】东仓建设-余霖 | ACC SHOP • 1/1000

女性饰品题材本质上是一场关于自我的演示或掩饰，因此场景必须被戏剧化。自恋及脆弱乃至略有伤感的场景贯穿着明确理性的强质序列，并由这样的组织通过贯行的自由与不确定感中获得关于美的复杂体验。

The female accessorize theme is essentially a demonstration or disguise about the themselves, so the scene must be dramatized. Narcissistic and fragile and even sad scenes run through a clear rational sequence, and by such organizations through the space of freedom and uncertainty is to get a complex experience of aesthetics.

舞蹈家ZOEY沿着场所中设置的人行动线进行即兴的现代舞表演。在所记录的大约1000张照片的串联视频中再现了多层交互的人流关系。而每一张静态照片也都来自与这1000张照片的堆栈。1/1000，指的是单一成果与过程的对照，和由此联想开的全部。

Dancer ZOEY Performs improvised modern dance performances along the flow hierarchy set up in the place. The multi-layer interaction flow is reproduced in the serial video of about 1000 pictures recorded. And every static photo is also from the stack of these 1000 photos.1/1000,refers to contrast of a single result and the process，and thus association of all.

玻璃是近代建筑材料中情绪最丰富的产物，因为透明性，是一种实际的虚无感与可以触碰的危机感。同时，它还存在一个隐性的巨大工艺优势，即无法不精确的成品构成。在一个对工程落地速度要求极高同时希望保持较好工艺品质的项目里，它近乎是不二选择。

Glass is the most abundant product of modern building materials, because transparency is a real sense of nothingness and has a sense of crisis that can be touched. At the same time, it also has a potential great craft advantage, that is, the product can not be inaccurate. In a project that requires high efficiency but also desire to maintain a better quality, it is almost the best choice.

在一个快速变化的产品流里，产品本身无法进行有效的材质，形式，颜色，风格的归类，唯一能组织各类饰品的事物是尺度与情绪。它类似一个空间化的产品目录，通过既定的尺寸进行第一印象上快速扩初式的查阅。

In a fast-changing product stream, the product itself can not be effectively classified by their material, form, color and style. the only thing that can categorize all kinds of accessorize is the scale and mood. It uses space to categorize product, through the established size as first impression to reference.

我们试图以更多元化的艺术因素，用更综合表现方式，来探索一个空间作品的边界，或者说是女性题材的情景边界。并希望以抽象的场景语言与舞蹈语言结合所阐述的并非单薄的形式美感，而是更贴近当下的复杂的女性语言：危险与脆弱，自信与自省，悬浮与碎片化，自我主义与环境折射。

We try to explore the boundaries of a space use diversified artistic factors with a more comprehensive manifestation., or to say the scene of the female subject scene.And hope that the abstract scene language and dance language combination is not just elaborated in the form of thin beauty,But moreclose to the current complex female language：danger and fragility,self-confidence and introspection, suspension and fragmentation, egoism and environmental refraction.

时尚与消费主义转瞬变幻，但镜子和其内的事物从未改变。

Fashion and consumerism are changing, but them irror and what within remains.

东仓建设-余霖 | ACC SHOP

▼设计图纸

高级室内建筑师,DOMANI东仓建设董事合伙人及创作总监,A&V桉和韦森艺术陈设创始人及创作总监。致力于室内建筑设计与空间体感的商业实践与当代实验性空间设计硏究。

Ann Yu--senior interior architect, the Associate and CD(creative director) of DOMANI, founder and CD of A&V. Committed to interior architectural design，generic business practice of space motion sensing and research of experimental space design.

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